Naxos has done music lovers yet another good turn by releasing these recordings (1932-36), vividly remasterd from 78s. Menuhin was in his later teens when he made them. The concertos in A minor and E are conducted by his teacher Enescu, who is the other soloist in the D minor Double concerto, which Monteux conducts. The performances are compelling, and the slow movements of the solo concertos are imprinted with that beauty of tone and phrase that makes the young Menuhin a permanent wonder. But the Double Concerto is the treasure. The soloists are indistinguishably linked yet each a consummate individual. Playing more heart-easing than in the distraught largo could not be imagined.(Paul Driver)
Since winning the Silver Medal and the Krystian Zimerman Sonata award at the 2015 Chopin Piano Competition, Montreal and Quebec at large have been gaga – for good reason – over Charles Richard-Hamelin. Recorded live in concert this past May at Salle Raoul-Jobin of the Palais Montcalm in Quebec City, this album may begin conservatively with Beethoven’s Two Rondos for Piano, Op. 51, but takes a turn with George Enescu’s Second Suite, Op. 10. With the Enescu, Richard-Hamelin digresses from clinical Classicism into the Romanian composer’s grandiose late-Romantic chromaticism. Even in a live recording, Richard-Hamelin shows not only acute elegance and poise, but extreme precision and a heightened emotional sensibility.
The viola works on this recording fuse lyricism with virtuosity, and sometimes invoke folkloric moments as well as more rhapsodic flights. Martinů’s 1955 Sonata plays on elements of folk music and rhapsody, as well as a toccata-like intensity and a pervasive feeling of nostalgia. Kodály’s Adagio is an early work, highly expressive and richly romantic, whilst his compatriot Dohnányi wrote a Sonata of mature distinction, employing variations and transformed themes to magical effect. Joachim, upholder of the German violin school, also composed, and in his Hebrew Melodies crafts great pathos, whilst Enescu’s Concertstück fuses the lyrical with the dashing, as befits a competition test piece.
This newest release from BR KLASSIK explores the genre of the 19th and 20th century Rhapsody, featuring works from masterful composers Emmanuel Chabrier, George Gershwin, George Enesecu, Maurice Ravel, and Franz Liszt. The concert-like atmosphere of this recording makes this a truly unique release, as these works were recorded live in Munich as recently as October 2015. The five rhapsodies featured here come from different regions and the composers unique styles can be heard in each of their works. Chabriers Espana is centered around Iberian and folk music which was very popular at the time. Liszts Hungarian Rhapsody contrasts this work with its use of Hungarian folk melodies. The ever-popular Rhapsody in Blue from George Gershwin throws Americana into the mix with its blues roots. Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks never fails to please with their brilliant interpretations and performance quality. World-renowned Russian pianist Denis Matusev is brilliant as the Rhapsody in Blue soloist.