Emmanuelle 2000

Emmanuelle 2000: Emmanuelle Pie (2003)  Video

Posted by MirrorsMaker at July 25, 2017
Emmanuelle 2000: Emmanuelle Pie (2003)

Emmanuelle 2000: Emmanuelle Pie (2003)
DVDRip | MKV | 706x522 | x264 @ 1030 Kbps | English AAC 2.0 @ 115 Kbps | 83 min | 685 Mb
Genre: Drama, Romance

A young man uses a mind-control power for his own sexual needs. Miss Emmanuelle shows up to give him more than a slap on the wrist.

Emmanuelle Bertrand - Le Violoncelle Par le XXe siècle (2016)  Music

Posted by Goodspeed at June 9, 2017
Emmanuelle Bertrand - Le Violoncelle Par le XXe siècle (2016)

Emmanuelle Bertrand - Le Violoncelle Par le XXe siècle (2016)
EAC+LOG+CUE | FLAC (image) | 1 CD | Size: 573 MB | Artwork: 111 MB (600dpi) | Duration: 2:21:38 min. | 5% recovery
Genre: classical | style: contemporain | Label: Harmonia Mundi | Release date: june 2016 | catalog nr. HMG508466.67

This set brings together two albums of modern music for solo cello played by Emmanuelle Bertrand. The first disc, Bertrand's début release on harmonia mundi, features works by Dutilleux, Crumb, Henze, Ligeti and Bacri. The second, released under the title Le violoncelle parle (the Cello Speaks), includes Suites for Solo Cello by Britten and Cassado and Kodaly's Sonata for Solo Cello. In Bertrand's hands, the cello truly 'speaks' and takes us beyond geographical boundaries and straight to the heart of the language of cultural inspiration.

Emmanuelle Bertrand: Oeuvres pour violoncelle seul (2000)  Music

Posted by peachfuzz at May 4, 2009
Emmanuelle Bertrand: Oeuvres pour violoncelle seul (2000)

Emmanuelle Bertrand - Oeuvres pour violoncelle seul (2000)
Classical | EAC (APE, CUE & LOG) | 204 MB

Harmonia Mundi's series Les Nouveaux Interprètes aims to bring us "the cream of the new generation of musicians," and no listener to this CD will deny the appropriateness of the young French cellist Emmanuelle Bertrand in that company. Her recital is devoted to solo cello music of the 20th century, and two interpretations stand out as having the composer's blessing: those of the inventive Trois strophes sur le nom de Sacher (1976-1982) by Henri Dutilleux, and the more conventional but still finely written Suite No. 4 (1994-1996) by Nicolas Bacri, which is dedicated to Bertrand and was premiered by her. Here and in the other works—the engaging and characterful Serenade (1949) by Hans Werner Henze, the impressive Sonata (1955) by the American individualist George Crumb, and the powerful, folk-influenced early Sonata (1948-53) by Ligeti—Bertrand reveals her mastery of tonal variety and creative engagement with her material. Booklet documentation on these rather esoteric pieces is weak, but all the works are worth getting to know, especially in performances such as these.
—Amazon.com Editorial Review

Ruby Kelly - Modern Emmanuelle  Girls

Posted by nrg at May 6, 2018
Ruby Kelly - Modern Emmanuelle

Ruby Kelly - May Contain Girl April 27, 2018
273 jpg | 4000*2667 | UHQ | 2.31 GB
British glamour model
Emmanuelle Bertrand, Pascal Amoyel & BBC National Orchestra of Wales - Shostakovich: Cello Concerto No. 1 (2013) [24/96]

Emmanuelle Bertrand, Pascal Amoyel & BBC National Orchestra of Wales - Shostakovich: Cello Concerto No.1 (2013)
FLAC (tracks) 24 bit/96 kHz | Time - 63:06 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

10 stars out of 10 - "This is one hell of a performance of Shostakovich's First Cello Concerto. Emmanuelle Bertrand and conductor Pascal Amoyel team up to produce one of the most intense and neurotic versions yet of this intense and neurotic piece". – Classics Today
Crowe, Staples, Purves, Choeur du Concert d'Astrée, Orchestre du Concert d'Astrée & Emmanuelle Haïm - Handel: Messiah (2014)

Lucy Crowe, Andrew Staples, Christopher Purves, Choeur du Concert d'Astrée, Orchestre du Concert d'Astrée & Emmanuelle Haïm - Handel: Messiah, HWV 56 (2014)
EAC Rip | FLAC (tracks+log+.cue) | 02:15:20 | 657 Mb
Classical, Vocal | Label: Warner Classics

Following several acclaimed albums of Handel’s operatic and choral masterpieces (including a triumphant Giulio Cesare with Natalie Dessay as Cleopatra and the oratorio La Resurrezione with British soprano Kate Royal), French harpsichordist and conductor Emmanuelle Haïm at last brings her fresh, expressive approach to Messiah. Joining her on a musically and spiritually uplifting journey for this long-awaited recording is Haïm’s own choir and period-instrument orchestra, Le Concert d’Astrée, with four of the UK’s finest Handelian singers. Having begun her career as a brilliant harpsichordist and protegee of Baroque pioneers William Christie and Christophe Rousset, Haïm has a long history with Messiah.
Emmanuelle Haim, Orchestra of the Age of Enlightenment - Monteverdi: L'incoronazione di Poppea (2009)

Emmanuelle Haïm, Orchestra of the Age of Enlightenment - Monteverdi: L'incoronazione di Poppea (2009)
NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (DTS, 5 ch) | 193 min+41 min (bonus) | 7,55+7,36 Gb (2xDVD9)
Classical | Label: DECCA | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese | Recorded: 2008

The major debut on Decca DVD of Danielle de Niese. Returning to the opera house where she sang her sensational Cleopatra in Handel's Giulio Cesare, Danielle performs the title role in Monteverdi's great opera of lust and power, in Robert Carsen's new, modern-dress staging. De Niese is perfectly cast as the beautiful and seductive Poppea who ruthlessly grabs power as Nero's lover but, in this production, is doomed from the moment of her coronation. De Niese's performance is vocally and dramatically powerful, perfectly complemented by Alice Coote as Nero. The two are supported by an outstanding cast, together with period-performance stars Emmanuelle Haïm conducting the Orchestra of the Age of Enlightenment. Carsen creates an intelligent and visually-strong production, focusing on the personal side of the story. At times the action is violent and shocking, but this is juxtaposed with episodes of lightness and humour.
Brice Sailly, La chambre claire & Emmanuelle De Negri - François Couperin: Les muses naissantes (2018)

Brice Sailly, La chambre claire & Emmanuelle De Negri - François Couperin: Les muses naissantes (2018)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 382 MB
Label: Ricercar | Tracks: 22 | Time: 77:39 min

This reverie offered by Brice Sailly in homage to François Couperin is presented in the guise of a trip to Arcadia, that utopian land which lies hidden in the heart of European geography. The selected harpsichord pieces, most of them evoking childhood and the birth of love, sit beside excerpts from the Concerts royaux that set the scene rather as Watteau might have done, leaving to the less well-known airs de cour the task of describing sentiments in words. Couperin discreetly whispers the most luminous of truths. Here all is benevolence, a smile on the lips, a light heart, and melancholy is gently dismissed in favour of consolation.
Emmanuelle Haim, Le Concert d'Astree - Handel: Giulio Cesare (2012)

Emmanuelle Haïm, Le Concert d`Astrée - Handel: Giulio Cesare (2012)
NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | 217 min | 5,07+7,50 Gb (2xDVD9)
Classical | Label: Virgin | Sub: Deutsch, English, Francais, Italiano, Espanol | Recorded: 2011

Giulio Cesare, the most popular of Handel’s operas, is named after the great Roman emperor, but its most memorable character is Cleopatra. In this production by Laurent Pelly from Paris’ splendid Palais Garnier, the role of the Egyptian queen is assumed for the first time by Natalie Dessay, described by the Telegraph as “a supreme vocal enchantress”.
Emmanuelle Haim, Le Concert d'Astree - Bach: Magnificat; Handel: Dixit Dominus (2007)

Emmanuelle Haïm, Le Concert d`Astrée - Bach: Magnificat; Handel: Dixit Dominus (2007)
EAC | FLAC | Image (Cue & Log) ~ 263 Mb | Total time: 56:05 | Scans included
Classical | Label: Virgin Classics | # 395241 2 | Recorded: 2006

What a wonderful contrast! Handel’s Dixit Dominus and Bach’s Magnificat represent the two oft-compared composers at Dixit . He had already written two Italian operas, and his career path clearly pointed in that direction. The Dixit is as extravagant as Bach’s Magnificat is controlled. The two pieces are such a good fit that one wonders why they haven’t turned up together more frequently, if, in fact, they have at all.