The music Earl Hooker and Junior Wells made together demonstrates the blues in transition, still upholding its traditions but recasting them in a format that reflected the musical taste of contemporary black society. Shortly after these records were produced, the Blues Boom shifted the music’s focus on to young white audiences. The tracks featured here represent some of the last instances of Chicago blues being produced for the artists’ own community.
Bear Family, the venerable German label that does reissue boxes of U.S. artists better than any American label – with the possible exception of Mosaic – has taken the cream of Kitty Wells' career and issued one of the most historically important collections in the history of country music. The Queen of Country Music is a four-CD box, with exhaustive biographical and session notes by Charles Wolfe that document, in their entirety, nine years of Ms. Wells career, from its inception through to its turning point and superstardom, the years 1949 to 1958; there are 114 tracks in all. Along with every major hit and B-side from the eras, the set includes classic original versions of "It Wasn't God Who Made Honky Tonk Angels," "Hey Joe!," "I Hear the Jukebox Playing," "Lonely Side of Town," "Making Believe," "Dust on the Bible," "The Place That Kills," "Right or Wrong," "Just When I Needed You," "The Great Speckled Bird," "Jealousy," and many others.
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro-space-age cultural elements.