Don't expect Telemann's Violin Concertos to match the Viola Concerto in lyric generosity or sheer memorability. He composed at least twenty violin concertos for his own use (he was a noted multi-instrumentalist), the earliest dating from c. 1707-08. They adhere to his usual Franco-Italian models, though are constructed with such cleverness and authority, and technical understanding, that the Corellian, Vivaldian and French elements are, if not absorbed into the bloodstream, at least present without sounding to be pastiche.
Half a century ago, Giuseppe Tartini might have been the only composer of the Italian Baroque most classical music listeners could name. That was thanks to the so-called Devil's Trill, which appears as the final track on disc one of this two-disc set. Here one can experience the "trillo del Diavolo" in its proper place, as the final movement of a three-movement Sonata in G minor for violin and continuo, and within a larger slice of his output: this pairing of two previously released discs also includes a published set of violin sonatas from around the time of the Devil's Trill (around the early 1730s), and several later sonatas with a goodly degree of novelty on disc two. In a way, the rest of the music makes the Devil's Trill seem less remarkable.