Elizabeth Gill

Gill Landry - Gill Landry (2015) [Official Digital Download]  Vinyl & HR

Posted by Pisulik at March 7, 2018
Gill Landry - Gill Landry (2015) [Official Digital Download]

Gill Landry - Gill Landry (2015)
FLAC (tracks) 24-bit/192 kHz | Time - 37:01 minutes | 393 MB
Studio Master, Official Digital Download | Artwork: Front cover

Gill Landry has a lovely, lilting voice, and a real gift for melody and lyrics. The songwriting isn't complex, but it is brilliant. There are fantastic moments. My favourites are Just Like You - with incredibly evocative lyrics (Hung up and wasted in an artless town/thinking of old loves in wedding gowns) hung on a wonderfully sad melody, and Take This Body, with the added bonus of a Laura Marling guest appearance. But the whole album is a beautiful piece, which matches some of my moods in ways that no other music I have does.

Vince Gill - These Days (2006) [4CD Box Set] Repost  Music

Posted by v3122 at Feb. 26, 2018
Vince Gill - These Days (2006) [4CD Box Set] Repost

Vince Gill - These Days (2006)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
MCA Nashville, B0006021-02 | ~ 1072 or 399 Mb | Cover(jpg) -> 17.22 Mb
Bluegrass, Country, Folk

As 2006 nears its end, no one can argue that the world of country music isn't, at this moment, the most adventurous in the mainstream pop music industry and that Nash Vegas is taking more chances on its acts as the rest of the biz relies more on narrowing things into smaller and smaller niches that can easily be hyped and digested. Sure, as always, artist's images and many recordings are calculated to score big as in any pop industry. The difference is in approach. The country-listening audience/demographic has widened considerably; therefore, there is a need – as well as an opportunity – for experimentation to see what sticks. This is the most exciting the music's been since Willie and Waylon hit the charts in the '70s, or perhaps to be a bit more fair, when Garth Brooks turned them upside down in the early '90s…

Skye blue - Zeno Gill Photoshoot 2017  Girls

Posted by nrg at Jan. 21, 2018
Skye blue - Zeno Gill Photoshoot 2017

Skye Blue - Zeno Gill Photoshoot 2017
13 jpg | up to 1140*1732 | 2.79 MB
American model

Skye Blue - Zeno Gill Photoshoot 2017  Girls

Posted by nrg at Oct. 25, 2017
Skye Blue - Zeno Gill Photoshoot 2017

Skye Blue - Zeno Gill Photoshoot 2017
10 jpg | up to 1280*1919 | 2.84 MB
American model

Skye blue - Zeno Gill Photoshoot 2017  Girls

Posted by nrg at Oct. 24, 2017
Skye blue - Zeno Gill Photoshoot 2017

Skye blue - Zeno Gill Photoshoot 2017
11 jpg | up to 1140*1709 | 2.03 MB
American model
Elizabeth Joy Roe - Britten & Barber: Piano Concertos & Nocturnes (2015) [Official Digital Download 24/96]

Elizabeth Joy Roe - Britten & Barber: Piano Concertos & Nocturnes (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 74:29 minutes | 1,15 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This solo release from Elizabeth Joy Roe and the London Symphony Orchestra under Emil Tabakov couples two of the 20th century’s greatest piano concertos by Britten and Barber. Roe has been performing both works since a student at Julliard and has extensively studied the intriguing parallels between the two composers. The programme is completed with solo piano nocturnes by each composer: Britten’s Night Piece and Barber’s Nocturne, Homage to John Field, widely considered the father of the nocturne.
Elizabeth Joy Roe - John Field: Complete Nocturnes (2016) [Official Digital Download 24/96]

Elizabeth Joy Roe - John Field: Complete Nocturnes (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 86:06 minutes | 1,46 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Following her critically acclaimed coupling of the Britten & Barber Piano Concertos with the London Symphony Orchestra, Elizabeth Joy Roe enlightens the extraordinary world of John Field. Field, an Irish composer, is regarded as the “Father of the Nocturne” who predates Chopin. This release is the first recording of all 18 Nocturnes on a single album.

Elizabeth I's Italian Letters (Queenship and Power) [Repost]  eBooks & eLearning

Posted by hill0 at April 13, 2018
Elizabeth I's Italian Letters (Queenship and Power) [Repost]

Elizabeth I's Italian Letters (Queenship and Power) by Carlo M. Bajetta
English | 25 Apr. 2017 | ISBN: 1137442328 | 364 Pages | PDF | 4.58 MB
Convivium, Elizabeth Wallfisch - Early Italian Violin Sonatas: Stradella, Marini, Castello, Cima, Uccellini (1998)

Convivium, Elizabeth Wallfisch - Early Italian Violin Sonatas: Stradella, Marini, Castello, Cima, Uccellini (1998)
EAC | FLAC | Image (Cue & Log) ~ 350 Mb | Total time: 72:16 | Digital booklet (PDF)
Classical | Label: Hyperion | # CDA66985 | Recorded: 1997

Everybody will know by now that Elizabeth Wallfisch has a special interest, affection and regard for the 17th- and 18th-century Italian violin schools. She has already recorded much music by the likes of Tartini, Corelli, Locatelli and others with her group, The Locatelli Trio, and also with The Raglan Baroque Players under Nicholas Kraemer. Here is a varied and fascinating collection of pieces by some of the lesser-known composers from a generation or two earlier than those composers.
Elizabeth Wallfisch, Orchestra of the Age of Enlightenment - Bach: Violin Concertos (1999)

Elizabeth Wallfisch, Orchestra of the Age of Enlightenment - Bach: Violin Concertos (1999)
EAC | FLAC | Image (Cue & Log) ~ 700 Mb | Total time: 62:46+67:29 | Scans included
Classical | Label: Virgin | # 5 61558 2 | Recorded: 1993, 1996

The violin concertos here are not the familiar pair in A minor and E. Bach composed a number of concertos for orchestral instruments and later transcribed them as keyboard concertos. Reversing Bach’s procedure, Wilfried Fischer has taken the harpsichord versions and from them has reconstructed the originals. BWV 1056 is a transposed transcription of the Keyboard Concerto in F minor (though New Grove identifies the outer movements as being from a lost oboe concerto). The D minor work is also usually heard in its keyboard adaptation. The concerto in C minor for two harpsichords appears in its original instrumentation for violin and oboe, the soloists here being perfectly balanced for clarity of line. It was Tovey who suggested that the A major concerto may have been intended for the oboe d’amore, an instrument pitched between the oboe proper and the cor anglais.