Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. Fast and funky fusion from David Matthews – building off the sound of his later Kudu recordings with a sweet electric groove! The album's got a pretty full approach overall – with Matthews on electric piano, and directing a large group of players that includes Mike Maineri, Michael Brecker, Jon Faddis, Shunzo Ohno, and Ronnie Cuber – and a number of tracks feature a vocal chorus that includes Ullanda McCullough and Yvonne Lewis. The overall style is slick, but not in a bad way – and Matthews more than meets the Japanese fusion sound head to head for this non-US release from the time!
Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the best Jazz Fusion albums ever produced…..and Eric Gale on guitar is a wonderful contributor. Recording is similar in sound and vibe to Eric Gale's other Jazz/Fusion records. If you like "In a Jazz Tradition" or "In the Shade of a Tree" you'll like this.
Tunisian oud master, vocalist, and composer Dhafer Youssef is globally renowned for his restless musicality. He has used his ancient instrument – five millennia and counting – to explore jazz, classical, and blues, in addition to the classical and folk musics of the Middle East, North Africa, and Mediterranean regions. The ephemeral Birds Requiem is his debut offering for Sony's resurrected Okeh imprint. The players on this date include his trio with pianist Kristjan Randalu and trumpeter Nils-Petter Molvaer, and the complete ensemble (which recorded primarily in Sweden) features clarinetist Hüsnu Senlendirici, bassist Phil Donkin, drummer Chander Sardjoe, and electric guitarist Eivind Aarset, which also provides various electronic treatments.
The former Oasis star spent two years collaborating with producer, DJ and composer, David Holmes on the record, which also features guest appearances from Paul Weller and Johnny Marr. Said to be inspired as much by French psychedelic pop as it was classic electro, soul, rock, disco and dance, the follow-up to 2015’s acclaimed ‘Chasing Yesterday‘ has been described as an “exhilarating” collection of “placid instrumentals, hypnotic, eastern-influenced grooves, gutsy balcony-shakers and widescreen, cinematic walls of sound”.
When he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process…performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.