Since the mid-'80s, Barrence Whitfield has dedicated his life to reminding people that rock & roll and rhythm & blues are not separate but equal institutions, but healthy branches of the same tree; on-stage or in the studio, Whitfield howls vintage R&B tunes with the fury of a hot-wired rock band, and belts out vintage-style rock with a healthy portion of swagger and soul. In Whitfield's world, it's all loud and furious, and makes you want to dance, and really, who doesn't want some of that in their life? After a detour through other projects, Whitfield resurrected the Savages in 2011, and 2015's Under the Savage Sky, the group's third album since returning to duty, stands proudly alongside mid-'80s landmarks like Dig Yourself and Ow! Ow! Ow! as a master class in souped-up and full-bodied roadhouse rocking.
Stereophonic Space Sound Unlimited have returned with their sixth Dionysus album, "Spooky Sound Sessions," a collection of 14 brand new songs recorded entirely at the legendary Spooky Sound Record Store in Zurich, Switzerland. The elusive duo consisting of Ernest Maeschi and Karen Simpson have once more worked their magic and created a series of instrumentals which will take you onto a journey into The Great Unknown. Guitars, organs, sitars, Indian banjos, Moogs, bongos, and sounds of obscure electronic equipment exclusively available to the Spooky Sound Lab have been woven into the unique Sound experience that is Stereophonic Space Sound Unlimited.
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Quite possibly our favorite album ever from pianist Andrew Hill – a really unique outing that features the vibes of Bobby Hutcherson and a rare non-Sun Ra appearance by tenorist John Gilmore! The presence of Hutcherson brings a real "new thing" energy to the album – a feel that's similar to Bobby's classic Dialogue album, of which Hill was such an important part. But the searching tenor of Gilmore also brings a striking new level to the session as well – and his solos open up with a raw, earthy quality that really shades in the album with a great deal of feeling. Gilmore's role here is a bit like that of Joe Henderson on his freer Blue Note material – but his sound still undeniably unique, at a level that really makes us wish he'd recorded more albums like this at the time. The tracks are all originals by Hill, and include the titles "Duplicity", "Black Monday", "The Griots", and "Le Serpent Qui Danse". CD features 2 bonus alternate takes too!