This is one of Eddie Harris's stronger Atlantic albums of the 1970s. Harris jamming on "Instant Death" is one of his most satisfying statements on the reed trumpet, guitarist Ronald Muldrow's "A Little Wes" is memorable and even the briefer pieces are worthwhile. In addition to Harris (who mostly plays his electrified tenor) and Muldrow, the group consists of keyboardist Richard Abrams, bassist Rufus Reid, drummer Billy James and percussionist Henry Gibson. This long out-of-print LP is long overdue to be reissued on CD.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A later album from reedman Eddie Harris – but a set that still continues some of his best funky styles from the 70s Atlantic Records years! In fact, the record may well be the last that Eddie ever cut in this mode – a real surprise at a time when some of his other sessions were more traditional – and the record's filled with lots of very groovy surprises that include great Fender Rhodes from William Henderson, plus more electric piano from Eddie – who also sings a bit too, in that great raspy tone of his. Rhythms are often pretty great, too – funky, in an offbeat way – thanks to sweet basslines from Larry Gales and drums from Carl Burnett.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A great later date from Eddie Harris – only a trio set, but one that often has all the full, soulful currents of some of the reedman's 70s material for Atlantic Records! Eddie plays piano and trumpet in addition to his usual tenor – and often does so at the same time, thanks to the magic of overdub – which also allows Harris to vocalize a bit next to his instrumental passages, with this very cool sound that's both an extension of the vocalizations he'd begun with Les McCann, but also some more familiar jazz singing as well.
An elegant and sophisticated pianist, his encyclopedic harmonic approach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notable mastery of the instrument.