Ecm 1984

Terje Rypdal - Vossabrygg (2006) {ECM}  Music

Posted by ruskaval at June 15, 2010
Terje Rypdal - Vossabrygg (2006) {ECM}

Terje Rypdal - Vossabrygg (2006) {ECM}
EAC rip (secure mode) | FLAC+CUE+LOG -> 370 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb
© 2006 ECM Records | ECM 1984
Jazz / Modern Creative / Guitar Jazz


Terje Rypdal - Vossabrygg (2006) {ECM}

The Norwegian jazz composer and guitarist Terje Rypdal's homage to Miles Davis's BITCHES BREW has all the crepuscular electric piano and muted trumpet of the original, with the addition of the atonal "That's More Like It" and the menacing electronic underpinnings of "Jungeltegrafen" emphasizing the continuing influence of contemporary musical genres on jazz.

Pat Metheny: The ECM Years, 1975-1984  eBooks & eLearning

Posted by ksveta6 at July 6, 2017
Pat Metheny: The ECM Years, 1975-1984

Pat Metheny: The ECM Years, 1975-1984 (Oxford Studies in Recorded Jazz) by Mervyn Cooke
2017 | ISBN: 0199897662 | English | 328 pages | PDF | 8 MB

Steve Tibbetts – Safe Journey (1984) {ECM 1270}  Music

Posted by tiburon at May 1, 2017
Steve Tibbetts – Safe Journey (1984) {ECM 1270}

Steve Tibbetts – Safe Journey (1984) {ECM 1270}
EAC 0.99pb4 | FLAC tracks level 6 | Cue+Log+M3U | Scans 200dpi | 224MB + 5% Recovery
Genre: Jazz, Fusion, World Fusion

If one were to compile a list of iconoclastic and innovative guitarists who came to prominence in the 1980s and 1990s, the list would have to include such names as Michael Hedges, Adrian Belew, David Torn and Steve Tibbetts. While Tibbetts is probably the least known of the four, his work is easily on par with that of the others. What makes Tibbetts unique among these is that he is equally prone to playing acoustic and electric guitars. He has released several all-acoustic albums, but most of his albums feature a good mixture of both, as well as judicious use of electronic effects and a heavy reliance on a variety of exotic and familiar percussive instruments. Safe Journey is all of the above in a nutshell.

Paul Motian - It Should've Happened A Long Time Ago (1984)  Music

Posted by mark70 at Nov. 18, 2016
Paul Motian - It Should've Happened A Long Time Ago (1984)

Paul Motian - It Should've Happened A Long Time Ago (1984)
EAC Rip | FLAC (image) + Cue + Log | Scans | 40:10 min | 213 MB
Genre: Jazz | Label: ECM (#ECM 1283)

This trio, the root of the Paul Motian Quintet that also included the late Jim Pepper and bass player Ed Schuller, was one of the most musical and "songish" that ECM had ever recorded. All three men are masters of understatement and heartbreakingly beautiful melodic invention, and also possess a collective well of deep lyricism in their improvisations. They had another thing in common, all having been sidemen for many years before becoming bandleaders in their own right. In fact, Lovano was only then, in 1984, beginning to consider himself a bandleader.
Miranda Cuckson & Blair McMillen - Bartok, Schnittke, Lutoslawski (2016) {ECM New Series 2446}

Miranda Cuckson & Blair McMillen - Bartok, Schnittke, Lutoslawski (2016) {ECM New Series 2446}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 93 Mb | Artwork | 5% repair rar
© 2016 ECM Records | ECM New Series 2446
Classical / Modern Classical / Chamber Music / Avant-Garde / Piano / Violin

The New York Times has praised violinist Miranda Cuckson’s “undeniable musicality,” while Gramophone has declared her “an artist to be reckoned with.” Born in Australia and educated in America, she makes her ECM New Series debut – alongside pianist Blair McMillen – with three 20th-century milestones: the Hungarian Béla Bartók’s Violin Sonata No. 2 (1922), the Russian Alfred Schnittke’s Violin Sonata No. 2 “Quasi una Sonata” (1968) and the Pole Witold Lutoslawski’s Partita for Violin and Piano (1984).
Gidon Kremer - Edition Lockenhaus (2011) {5CD Box Set ECM New Series 2190-94 rec 1981-2008}

Gidon Kremer - Edition Lockenhaus (2011) {5CD Box Set ECM New Series 2190-94 rec 1981-2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.22 Gb | MP3 @320 -> 661 Mb
Full Artwork @ 600 dpi (jpg) -> 42 Mb | 5% repair rar
© 1985, 1988, 2011 ECM Records | ECM New Series 2190-94 / 4764509
Classical / Chamber Music / Concerto / Modern / Romantic / Neo-Classical

Five-CD limited-edition box set, issued in time for the 30th anniversary of the Austrian chamber-music festival. “Edition Lockenhaus” returns long out-of-print titles to the catalogue, with some of the finest musicians of the New Series, including Gidon Kremer, Kim Kashkashian, Heinz Holliger, Thomas Zehetmair, Thomas Demenga, Robert Levin, Eduard Brunner and many more. Gidon Kremer: “The artistic atmosphere in Lockenhaus soon has everybody speaking on the same wavelength.” The set opens with previously unreleased recordings – from 2001 and 2008 – with Sir Simon Rattle and Roman Kofman conducting Kremerata Baltica in revelatory performances of Richard Strauss’s “Metamorphosen” and Olivier Messiaen’s “Trois petites Liturgies de la Présence Divine”: the committed interpretations convey the spirit of Lockenhaus. Discs two through five focus on music of César Franck, André Caplet, Francis Poulenc, Leos Janácek, Igor Stravinsky, Dmitri Shostakovich and Erwin Schulhoff. Original liner notes, an interview with Kremer, and new texts complete a very special edition.
Keith Jarrett / Gary Peacock / Jack DeJohnette - Changes (1984) {ECM 1276}

Keith Jarrett / Gary Peacock / Jack DeJohnette - Changes (1984) {ECM 1276}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 197MB + 5% Recovery
MP3 CBR 320 Kbps | 95MB + 5% Recovery
Genre: Jazz, Post-Bop

Unlike the other two Keith Jarrett trio recordings from January 1983, this collaboration with bassist Gary Peacock and drummer Jack DeJohnette does not feature standards. The trio performs the 30-minute "Flying" and a 6-minute "Prism," both of them Jarrett originals. "Flying," which has several sections, keeps one's interest througout while the more concise "Prism" has a beautiful melody. It is a nice change to hear Jarrett (who normally plays unaccompanied) interacting with a trio of superb players.

Jan Garbarek - Works (1984) {ECM}  Music

Posted by tiburon at Jan. 28, 2016
Jan Garbarek - Works (1984) {ECM}

Jan Garbarek - Works (1984) {ECM}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 261MB + 5% Recovery
Genre: Jazz, Ethnic Fusion

This limited edition, 'Works Series', gives a reasonable overview of Garbarek's prolific output on ECM over a period of ten years (1970-80). Unusually, three of the eight tracks showcase him playing flute, which would be a rarity now, and both his tenor & soprano sax work is also featured.

Pat Metheny - Rejoicing (1984) {ECM 1271}  Music

Posted by tiburon at Nov. 19, 2015
Pat Metheny - Rejoicing (1984) {ECM 1271}

Pat Metheny - Rejoicing (1984) {ECM 1271}
EAC 1.1 | FLAC Image level 8 | Cue+Log | Full Scans 600dpi | 280MB + 5% Recovery
Genre: Post-Bop, Fusion

"Rejoicing" makes a perfect companion to "Beyond the Missouri Sky." Haden and Metheny share a magnetism on the ground that can only be matched by Lyra and Orion in the night sky. Each tune shines with lyrical brilliance; be it in the softened freedom of Ornette Coleman's "Lonely Woman," the dazzling blur of Metheny's clean runs on the title track, or the wailing synthguitar of "The Calling." Higgins on drums complements all the string action. Harmony, harmolodics, and eudemonics: the joy of the musicianship on this album uplifts the listener with its magic.

Shankar - Vision (1984) {ECM 1261}  Music

Posted by tiburon at July 6, 2015
Shankar - Vision (1984) {ECM 1261}

Shankar - Vision (1984) {ECM 1261}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 193MB + 5% Recovery
Genre: Ethnic Fusion, Indian Classical

L. Shankar's Vision is an ethereal tour-de-force – an oxymoron, perhaps, but an appropriate description of the otherworldly visions he conjures with his manipulations of his 10-string, stereophonic, double-necked, electric violin. The lengthy title track is a solo space journey on his massive instrument, with lots of phasing undercurrents and an aural experience of weightlessness that is rather pleasant. On the other tracks, Shankar is flanked by the hot, piercing Jan Garbarek on saxes and the cool Palle Mikkelborg on trumpet and flugelhorn, who contribute heat and ice to Shankar's textures.