The Norwegian jazz composer and guitarist Terje Rypdal's homage to Miles Davis's BITCHES BREW has all the crepuscular electric piano and muted trumpet of the original, with the addition of the atonal "That's More Like It" and the menacing electronic underpinnings of "Jungeltegrafen" emphasizing the continuing influence of contemporary musical genres on jazz.
"Aquarela do Brasil," an unofficial anthem of Brazil, may have received literally thousands of different version and interpretations, but even then, Egberto and Brazilian percussionist Naná Vasconcelos (his sole accompanist here) were able to devise an extremely original version, which opens with an unassuming stylized samba introduction, slowly bringing elements which conduce the listener to the piece's identification. Egberto is very fond of percussive attacks and ethereal configurations, both acquiring superior importance in his music, not being necessarily attached to or supportive for a musical theme or melody.
The New York Times has praised violinist Miranda Cuckson’s “undeniable musicality,” while Gramophone has declared her “an artist to be reckoned with.” Born in Australia and educated in America, she makes her ECM New Series debut – alongside pianist Blair McMillen – with three 20th-century milestones: the Hungarian Béla Bartók’s Violin Sonata No. 2 (1922), the Russian Alfred Schnittke’s Violin Sonata No. 2 “Quasi una Sonata” (1968) and the Pole Witold Lutoslawski’s Partita for Violin and Piano (1984).
This is a collaboration between Rypdal (on electric guitar & synth), and David Darling (cello). If you think electric guitar & cello is an odd combination for a band, you're right! If you think it couldn't possibly work, you're wrong!! Moody and compelling, and definitely not for everyone.Worth it just for the track "Mirage", which lives up to its title sonically. The track "Laser" does the same also… a blistering solo electric guitar kills any semblance of peace and silence, and after it's over, sets up the hot-summer-day-let-me-lay-and-listen mood for the rest of the CD. All are well worth the listening effort.
This six-CD set, with recordings from 1972 to 1984, includes the albums Conception Vessel, Tribute, Dance, Le Voyage, Psalm and It Should’ve Happened A Long Time Ago. Paul Motian’s innovative drumming with the great trios of Bill Evans and Paul Bley had already assured him of a place in jazz’s history books, but Motian had not considered life as a bandleader until ECM proposed a recording session under his own name. “Conception Vessel” opened floodgates of creativity. Through these recordings we hear not only the evolution of several outstanding Motian ensembles and the birth of the enduring Motian/Frisell/Lovano trio, but also the growth of confidence of a unique jazz composer. In Paul’s music, memories of Turkish and Armenian melodies he had heard as a child were filtered through a love of jazz.
Enjoy three A-list players teaming up to celebrate the sorties into the wilder reaches of jazz-rock made by Tony Williams’s band, Lifetime. John Scofield is at his bluesy best vying with the versatile Hammond of Larry Goldings, Jack DeJohnette on drums is a precise mix of grace and fire.
Black Ice is a nice image for Dutch pianist Wolfert Brederode’s new trio music, with its gleaming lyricism, transparency, and hint of danger, as well as sleek melodic invention both from the leader and from Icelandic bassist Gulli Gudmundsson. Brederode and Gudmundsson have collaborated often over the last two decades in contexts from free improvisation to theatre music and have a keenly honed intuitive understanding. Jasper van Hulten is a resourceful addition to the team, a tone-sensitive drummer adept at embellishing the sensitive musical language and sense of interplay. The album, recorded at Lugano’s Studio RSI in July 2015 and produced by Manfred Eicher, is issued as the Brederode Trio goes on tour in the Netherlands…
Kenny Wheeler's beautiful sound on trumpet and his wide range are well-displayed on his four compositions, three of which are given performances over ten minutes long. With the assistance of ECM regulars Jan Garbarek (on tenor and soprano), guitarist John Abercrombie, bassist Dave Holland, drummer Jack DeJohnette and (on one song) guitarist Ralph Towner, Wheeler emphasizes lyricism and romantic moods on this fine set of original music.