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(Fr5) La face cachée de Naples (2017)  Video

Posted by Morocco at May 14, 2017
(Fr5) La face cachée de Naples (2017)

(Fr5) La face cachée de Naples (2017)
Webrip | French | Subtitles : French | 52min | 1024 x 576 | 25.000 fps | MKV | AVC Main@L3.1 @ 1393 Kbps | AAC @ 75 Kbps | 545 MB
Genre : Documentaire

Fondée il y a plus de 2500 ans par les Grecs, Naples est aujourd’hui surtout célèbre pour son style de vie bouillonnant. Mais les entrailles de la ville cachent de nombreux secrets d’histoire. L’historien Michael Scott et son équipe utilisent des technologies modernes pour découvrir ces tunnels cachés et ces ruines méconnues, sous la terre comme sous la mer.

Adriano Celentano - Esco Di Rado E Parlo Ancora Meno (2000)  Music

Posted by v3122 at April 17, 2017
Adriano Celentano - Esco Di Rado E Parlo Ancora Meno (2000)

Adriano Celentano - Esco Di Rado E Parlo Ancora Meno (2000)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Clan Celentano, CLN 20482 | ~ 431 or 143 Mb | Scans(jpg) -> 8 Mb
Pop Rock, Downtempo, Euro House, Salsa

One of Italy's best-loved artists, Adriano Celentano has been equally successful in film and music. Whether singing Elvis Presley-inspired rock, as he did as a member of the Rock Boys in 1957, or romantic balladry, Celentano found a dedicated market for his music…

Caldara - Morte e sepoltura di Christo (Fabio Biondi) [2015]  Music

Posted by Vilboa at April 7, 2017
Caldara - Morte e sepoltura di Christo (Fabio Biondi) [2015]

Caldara - Morte e sepoltura di Christo (Fabio Biondi) [2015]
Classical | Glossa GCD923403 | TT: 124.37 | EAC (FLAC, cue, log) | Covers | 579 Mb

With Antonio Caldara’s 'Morte e sepoltura di Christo', released on Glossa just after a new album devoted to Vivaldi’s late violin concertos, Fabio Biondi returns to the Italian oratorio, another of his specialities. The Venetians Caldara and Vivaldi may have been contemporaries but their career paths led them in different directions, and Caldara was to spend much time working in Mantua and Rome before securing the position of vice-Kapellmeister for the Holy Roman Emperor Charles VI in Vienna.

S.T.A.L.K.E.R.: Call of Pripyat (2010)  Games

Posted by Lebedev30 at March 4, 2017
S.T.A.L.K.E.R.: Call of Pripyat (2010)

S.T.A.L.K.E.R.: Call of Pripyat (2010)
PC Game | Developer: GSC Game World | 4.2 GB
Languages: Russian
Version GOG: 2.1.0.17
Genre: Shooter - FPP - Survival

Manolo e Irene (Época 2) #6, de Manel Ferrer  Comics

Posted by Coda at Feb. 13, 2017
Manolo e Irene (Época 2) #6, de Manel Ferrer

Manolo e Irene (Época 2) #6, de Manel Ferrer
Manuel Ferrer Editor, 1982 | Spanish | CBR | 42 páginas | 35.9 MB

R.E.M. - Document (1987) Expanded Reissue 1993 [Repost, New Rip]  Music

Posted by Designol at Feb. 13, 2017
R.E.M. - Document (1987) Expanded Reissue 1993 [Repost, New Rip]

R.E.M. - Document (1987) Expanded Reissue 1993
EAC | FLAC | Tracks (Cue&Log) ~ 483 Mb (incl 5%) | Mp3 (CBR320) ~ 208 Mb (incl 5%) | Scans included
Alternative Rock, College Rock, Folk Rock | Label: I.R.S. | # 0777 7 13200 2 6 | 01:07:43

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt – who would go on to produce every R.E.M. album in the following decade – is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger.

A suon di pinte: Il gioco degli abbinamenti tra musica e birre  eBooks & eLearning

Posted by AlenMiler at Feb. 11, 2017
A suon di pinte: Il gioco degli abbinamenti tra musica e birre

A suon di pinte. Il gioco degli abbinamenti tra musica e birre di Luca Modica
Italiano | 26 gennaio 2017 | ISBN: 8862319401 | 135 Pagine | PDF (conv) | 17.06 MB

Oggi anche l'Italia è sempre più lanciata verso la produzione di craft beer, ovvero la birra artigianale, ma perché ciò accadesse sono dovuti cadere molti luoghi comuni.

R.E.M. - Lifes Rich Pageant (1986) Expanded Reissue 1993  Music

Posted by Designol at Feb. 10, 2017
R.E.M. - Lifes Rich Pageant (1986) Expanded Reissue 1993

R.E.M. - Lifes Rich Pageant (1986) Expanded Reissue 1993
EAC | FLAC | Tracks (Cue&Log) ~ 393 Mb (incl 5%) | Mp3 (CBR320) ~ 171 Mb (incl 5%) | Scans included
Alternative Rock, College Rock, Jungle-Pop | Label: I.R.S. | # 0777 7 13201 2 5 | 00:51:46

Fables of the Reconstruction was intentionally murky, and Lifes Rich Pageant was constructed as its polar opposite. Teaming with producer Don Gehman, who previously worked with John Mellencamp, R.E.M. developed their most forceful record to date. Where previous records kept the rhythm section in the background, Pageant emphasizes the beat, and the band turns in its hardest rockers to date, including the anthemic "Begin the Begin" and the punky "Just a Touch." But the cleaner production also benefits the ballads and the mid-tempo janglers, particularly since it helps reveal Michael Stipe's growing political obsessions, especially on the environmental anthems "Fall on Me" and "Cuyahoga." The group hasn't entirely left myths behind – witness the Civil War ballad "Swan Swan H" – but the band sound more contemporary both musically and lyrically than they did on either Fables or Murmur, which helps give the record an extra kick. And even with excellent songs like "I Believe," "Flowers of Guatemala," "These Days," and "What if We Give It Away," it's ironic that the most memorable moment comes from the garage rock obscurity "Superman," which is sung with glee by Mike Mills.

R.E.M. - Reckoning (1984) Expanded Reissue 1992  Music

Posted by Designol at Feb. 9, 2017
R.E.M. - Reckoning (1984) Expanded Reissue 1992

R.E.M. - Reckoning (1984) Expanded Reissue 1992
EAC | FLAC | Tracks (Cue&Log) ~ 376 Mb (incl 5%) | Mp3 (CBR320) ~ 161 Mb (incl 5%) | Scans included
Alternative Rock, College Rock, Jungle-Pop | Label: I.R.S. | # 0777 7 13159 2 3 | 00:52:38

R.E.M. abandoned the enigmatic post-punk experiments of Murmur for their second album, Reckoning, returning to their garage pop origins instead. Opening with the ringing "Harborcoat," Reckoning runs through a set of ten jangle pop songs that are different not only in sound but in style from the debut. Where Murmur was enigmatic in its sound, Reckoning is clear, which doesn't necessarily mean that the songs themselves are straightforward. Michael Stipe continues to sing powerful melodies without enunciating, but the band has a propulsive kick that makes the music vital and alive. And, if anything, the songwriting is more direct and memorable than before – the interweaving melodies of "Pretty Persuasion" and the country rocker "(Don't Go Back To) Rockville" are as affecting as the melancholic dirges of "Camera" and "Time After Time," while the ringing minor-key arpeggios of "So. Central Rain," the pulsating riffs of "7 Chinese Bros.," and the hard-rocking rhythms of "Little America" make the songs into classics. On the surface, Reckoning may not be as distinctive as Murmur, but the record's influence on underground American rock in the '80s was just as strong.

R.E.M. - Green (1988) Non-Remastered  Music

Posted by Designol at Feb. 6, 2017
R.E.M. - Green (1988) Non-Remastered

R.E.M. - GREEN (1988) Non-Remastered
EAC | FLAC | Tracks (Cue&Log) ~ 316 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Alternative Rock, College Rock | Label: Warner Bros. | # 7599-25795-2 | Time: 00:41:01

As far as major-label debuts by underground bands go, Green is fairly uncompromising. While it displays a more powerful guitar sound on "Get Up," "Turn You Inside Out," and "Orange Crush," it also takes more detours than Document, whether it's the bizarrely affecting contemporary folk of "The Wrong Child" and "You Are the Everything," the bubblegum of "Stand" and "Pop Song 89," or the introspection of the lovely "Hairshirt" and "World Leader Pretend." But instead of presenting a portrait of a band with a rich, eclectic vision, Green is incoherent. While its best moments are flat-out great, the band has bitten off more than it can chew; many of the songs sound like failed experiments, and its arena-ready production now sounds slightly dated. Nevertheless, half of the record is brilliant, and it certainly indicates that R.E.M. are continuing to diversify their sound.