Dvorak Symphony No. 8 Kertesz

István Kertész, LSO - Dvorak Symphony No.8 "Scherzo Capriccioso" (1963/2014) [Official Digital Download - 24bit/192kHz]

István Kertész, LSO - Dvorak Symphony No.8 "Scherzo Capriccioso" (1963/2014)
FLAC (tracks) 24 bit/192 kHz | Digital Booklet | 1.82 GB
Genre: Classical | Official Digital Download - Source: Highdeftapetransfers

Istvan Kertesz (1929-1973) was born into a Hungarian-Jewish, and he grew up taking violin lessons at a time “when terrible things were happening in Europe.” By the time Istvan was twelve, he had been mastering the piano as well. But Hungarian Jews were persecuted relentlessly, and many of his extended family members were sent to Auschwitz to be murdered. After the war, he resumed his studies in what is now the Franz Liszt Academy of Music, taking composition lessons with Kodaly and Leo Weiner. An interest in conducting led to studies with Laszlo Samogyi and Janos Ferencsik.

Dvorak: Symphony No.8 & Ravel: Ma Mère l'Oye  Music

Posted by trackball at Oct. 26, 2009
Dvorak: Symphony No.8 & Ravel: Ma Mère l'Oye

Dvorak: Symphony No.8 & Ravel: Ma Mère l'Oye
Classical | Easy CD-DA, APE tracks, No CUE, No Log | 1 CD, Cover, HQ | 236 MB
CD Date: August 23, 1991 | Sony

Dvorak - Symphony No. 8 - Szell  

Posted by daksya at Aug. 18, 2009
Dvorak - Symphony No. 8 - Szell

Antonín Dvořák's Symphony No. 8 in G major, Op. 88 - George Szell w/ Cleveland Orchestra
1 CD, 35:33 | A D D | CBS Records | EAC, APE image, CUE, Logs | Scans | RS | 185 MB
Classical - Romantic period | Orchestral Music - Symphony | Composed 1889 | Recording 1958

George Szell's Dvorák performances feature his customary blend of razor sharp orchestral discipline allied to a wholly idiomatic, singing line. - David Hurwitz
Mackerras, London Philharmonic - Dvorak: Symphonic Variations, Symphony No 8 (2011)

Mackerras, London Philharmonic - Dvorak: Symphonic Variations, Symphony No 8 (2011)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 231 MB
Genre: Classical | Label: Lpo | Catalog Number: 55

Sir Charles Mackerras and the London Philharmonic Orchestra shared a musical heritage spanning 45 years and this live recording of Dvorák’s Symphonic Variations and Symphony No. 8 from 1992 pays tribute to a partnership that exuded a joy and vivacity in music making.
Brahms: Symphony No. 3 & Dvořák: Symphony No. 8 - Wiener Philharmoniker; Herbert von Karajan

Johannes Brahms: Symphony No. 3 in F major op. 90 & Antonin Dvořák: Symphony No. 8 in G major op. 88
Classical | 1 CD | EAC Rip | 365 MB (3% recovery) | FLAC+LOG+M3U+Cue | Complete scans | FP & RS links
Publisher: Decca | Recorded: 1965 | Published: 2011
Dvorak: Symphony No. 9 "New World" and other orchestral masterworks (2005) {Hybrid-SACD ISO} [RE-UP]

Dvorak: Symphony No. 9 "New World", Carnival Overture / Smetana / Weinberger
Fritz Reiner / Chicago Symphony Orchestra
SACD ISO (2.0/MCH): 2,43 GB | Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal "Living Stereo" # 82876663762 | Country/Year: US 2005, 1955-1957
Genre: Classical | Style: Romantic

"…I've known and loved the Solti/CSO "New World" recording for years; it is now relegated to the re-gifting pile. If you are a Dvorak fan, buy this disc." ~sa-cd.net
Dvorak: Symphony No. 9 "New World" and other orchestral masterworks (2005) {Hybrid-SACD // ISO & HiRes FLAC}

Dvorak: Symphony No. 9 "New World", Carnival Overture / Smetana / Weinberger
Fritz Reiner / Chicago Symphony Orchestra
SACD ISO (2.0/MCH): 2,43 GB | 24B/88,2kHz Stereo FLAC: 1,15 GB | Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal "Living Stereo" # 82876663762 | Country/Year: US 2005, 1955-1957
Genre: Classical | Style: Romantic

"…I've known and loved the Solti/CSO "New World" recording for years; it is now relegated to the re-gifting pile. If you are a Dvorak fan, buy this disc." ~sa-cd.net
Schubert - Symphony No.8 'Unfinished'_Symphony No.5_Serenade (Kosler, Warchal) [1996]

Schubert - Symphony No.8 'Unfinished'_Symphony No.5_Serenade (Kosler, Warchal) [1996]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 308 MB
Classical | Label: Prestige Classics | Catalog Number: 1730.2074 | TT: 58’31"

Bohdan Warchal (27 January 1930, Orlová, Czechoslovakia – 30 December 2000, Bratislava, Slovakia) was a Slovak violinist, a member of the Slovak Philharmonic Orchestra and founder, chief conductor and soloist of the Slovak Chamber Orchestra.
His Naxos Records discography includes the Bach Brandenburg Concerti and Handel's Water and Fireworks Music. For cpo he has recorded many of Michael Haydn's symphonies.
Yuri Serov - Tishchenko: Symphony No. 8; Concerto for Violin, Piano and String Orchestra (2016)

Yuri Serov - Tishchenko: Symphony No. 8; Concerto for Violin, Piano and String Orchestra (2016)
Mp3 CBR320 Kbps -> 142 Mb (5% Rec.)
Classical | Label: Naxos | 2016 | 0:59:45

Boris Tishchenko was one of the most recognizable and important Russian composers of his time. His studies with Shostakovich - whose mantle as Russia's leading symphonies he assumed after his teacher's death in 1975 - proved decisive. Symphony No. 8, one of his last completed works, was written to be performed immediately after Schubert's "Unfinished" Symphony to which it makes reference. The Concerto for Violin, Piano and String Orchestra is rich in emotional depth, lyricism and dance rhythms while Three Songs to Poems by Marina Tsvetayeva intriguingly fuses popular song with Russian romance.
Royal Stockholm Philharmonic Orchestra, Gennady Rozhdestvensky - Schnittke: Symphony No.8, Concerto grosso No.6 (1995) (Repost)

Royal Stockholm Philharmonic Orchestra, Gennady Rozhdestvensky - Schnittke: Symphony No.8, Concerto grosso No.6 (1995)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 53:24 | 180 MB
Genre: Classical | Label: Chandos | Catalog: 9359

The late Alfred Schnittke has, after his death, been accused of writing too much music of variable quality. This debate is still raging although suffice to say that the Eighth Symphony truly is one of his greatest works and indeed, one of the great symphonic works of the latter twentieth century. The charge of oppressive asceticism laid against the Sixth and Seventh symphonies can hardly be held up to this expansive and frankly emotional work. It is as if Schnittke relaxed the skeletal sounds of his previous essays in the genre and, while not quite returning to the dazzling orchestral pyrotechnics of the Fifth Symphony (Concerto Grosso no. 4), creating a work of great sincerity and beauty. The first movement is an obsessive repetition of a wide-ranging (in pitch, not rhythm) melody, seemingly effortlessly varied to touch on all sections of the orchestra.