This is a fine Testament release taken from the archives of Netherlands Radio and enshrines some magnificent Barbirolli performances in somewhat opaque sound. The Satie Gymnopedie's have a delicate and loving sound that reveal Sir John's deep and intrinsic love for the miniaturistic charm of these enchanting pieces. Britten's 'Sinfonia da Requiem' was another Barbirolli speciality and this is one of many recordings available. However it is intriguing to observe the special attention and alertness that the Concertgebouw players impart to the music that takes on an added grandeur. However it is the Dvořák Seventh that is the real highlight of the disc as it is a version to die for! Sir John handles the music with real imagery and heart-on-sleeve emotion that almost rivals Kertész and Sejna, my other preferred versions in this landmark work.
This recording comes from one of the earliest 'bootleg' classical recordings ever distributed to the public, and its entrance into the market was nearly instantaneous. Taped illegally at concert with conductor Leopold Stokowski and the New York Philharmonic, it remains the earliest surviving complete recorded performance of the Mahler Eighth.
Two glorious Czech masterpieces are presented on this 2014 release from Alpha, performed on period instruments by the exceptional Anima Eterna Brugge, directed by Jos van Immerseel. Considering that Antonín Dvorák's Symphony No. 9 in E minor, "From the New World" was completed in 1893, and Leos Janácek's Sinfonietta dates from 1926, and the period instruments movement mostly has been concerned with Baroque and Classical era works, original instrumentation might strike some listeners as odd. Yet performances in the late 19th and early 20th centuries called for instruments that differ substantially in construction and tone quality from modern models, and the variety of timbres was much greater with handmade instruments than the homogenized sounds of today's mass-produced woodwinds and brass.
"…65 exhilarating minutes!" ~Bayrischer Rundfunk