Two glorious Czech masterpieces are presented on this 2014 release from Alpha, performed on period instruments by the exceptional Anima Eterna Brugge, directed by Jos van Immerseel. Considering that Antonín Dvorák's Symphony No. 9 in E minor, "From the New World" was completed in 1893, and Leos Janácek's Sinfonietta dates from 1926, and the period instruments movement mostly has been concerned with Baroque and Classical era works, original instrumentation might strike some listeners as odd. Yet performances in the late 19th and early 20th centuries called for instruments that differ substantially in construction and tone quality from modern models, and the variety of timbres was much greater with handmade instruments than the homogenized sounds of today's mass-produced woodwinds and brass.
A new Dvorák symphony and concerto cycle from the multi-Gramophone-Award-winning conductor and the great Prague-based orchestra. It marks a triumphant return to the orchestra where he trained, the world leading and multi-Gramophone Award-winning maestro Jirí Bìlohlávek records Decca’s first Dvorák cycle since the 1960s. This complete symphonies and concertos set is a pinnacle of brilliant music-making, and the first major cycle to be recorded in high-definition 24bit 96kHz and Mastered for iTunes sound.
This program includes some of the least known masterpieces from Ernest Bloch’s nearly 30 works for orchestra. Macbeth: Two Symphonic Interludes is an intoxicating and passionate distillation of Shakespeare’s powerful drama. In Memoriam is a brief elegy dedicated to the pianist Ada Clement, while the Three Jewish Poems were written when Bloch was mourning the death of his father. Originally conceived as a third concerto grosso, Bloch’s last Symphony, in E flat major, is at times emotionally turbulent and deeply spiritual work containing passages of harmonic acerbity.
With his symphonies the Danish composer Rued Langgaard offered 16 vastly different versions of what a symphony can be. His captivating, complex genius made room for all conceivable idioms and a wealth of styles ranging from the grandiosely Late Romantic to the purest Absurdism. This box is the first collected recording of Langgaard's 16 symphonies based on the critical edition of the scores; recordings which demonstrate, with spectacular sound quality, Langgaards masterly grasp of the orchestra and his ecstatic view of art: "Mr. Dausgaard's keen advocacy elicits polished, persuasive accounts that live up to Langgaard's motto: 'Long Live Beauty'", wrote The New York Times.