40th Anniversary Heavyweight Vinyl & Hi Res Audio Edition. Here's the edition of Ziggy Stardust everyone has been waiting for since David Bowie executed the character onstage nearly 40 years ago. Originally released through RCA Victor on June 6, 1972, Ziggy Stardust was Bowie’s fifth album, co-produced by Bowie and Ken Scott. The album eventually peaked at #5 on the UK Album Chart. Its influence is immeasurable, as it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particularly to those involved in the punk movement. Famously, Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973. Pop music was never the same again.
With OPEN CONTINUUM Wim Mertens presents his second project with symphonic orchestra. In 2006 the composer recorded Partes extra partes, a studio production with the Brussels Philarmonic directed by the Argentinian conductor Dante Anzolini. Since then, Wim Mertens regularly performed with a piano/voice and symphonic orchestra setup, with among others Madrid, Murcia, Berlin and Brussels Philarmonic’s orchestras. The composer considers the production and the performing with symphonic orchestra as one of the facets of his musical activity.
The Dubliners are legends in the world of Irish music. This unique film follows them from their home in Ireland and across Germany on tour, combining great live performances with an on the road documentary that allows you to get to know the band as they talk about their lives, the career of the Dubliners and where their inspiration comes from. Featuring many of their best loved tracks this intimate portrait is a must see for any fan of traditional Irish music.
Comings and goings: mestizo musics. Baroque music of the colonial era in dialogue with the Flamenco. Arcángel and Fahmi Alqhai record the dialogue between flamenco and baroque music ‘Las idas y las vueltas’. Arcángel and Accademia del Piacere, conducted by Fahmi Alqhai, have finished recording the project ‘Las idas y las vueltas’. The album, which will come together with a DVD about the show, will be released this April by the independent label Alqhai&Alqhai. The disc will include the encounter between colonial baroque music and flamenco which the cantaor and the classical music group premiered at the 2011 International Music and Dance Festival of Granada, and which has already been presented at forums like the Auditorio Nacional in Madrid and Elche’s Medieval Festival, among others.
In this saga of hatred and holy war, of power and desire, there is no victor and no truth. The god-like is diminished, power restricted, taboos are broken, love betrayed. Only the composer can afford uninterrupted pathos in the wonderful duet of Samson and Dalila in the second act, which misleads us to believe in a moving story of love. Perhaps it truly is. The story of Samson is contradictory, it is human. Camille Saint-Saëns completed the work in 1876, but was only able to bring about its first performance in 1877 through the mediation of his friend Franz Liszt with pre-eminent success in Weimar. In France, where the elements of oratorio and the influence of Wagner were not well received, the first performance would not follow for another 13 years. Samson et Dalila ranks among the masterpieces of 19th century French Opera - and among the showpieces favored by the Argentine tenor José Cura. In the recorded production he saw himself celebrated on stage as a unified three-in-one: eponymous hero, director and stage designer.