Dunbar

The Aynsley Dunbar Retaliation - To Mum, From Aynsley And The Boys (1969) Reissue 1993

The Aynsley Dunbar Retaliation - To Mum, From Aynsley And The Boys (1969)
EAC | FLAC | Tracks (Cue&Log) ~ 246 Mb | Mp3 (CBR320) ~ 118 Mb | Scans included
British Blues-Rock | Label: MCA/One Way | # MCAD 22069 | Time: 00:40:20

Although a fourth Aynsley Dunbar Retaliation album (Remains to Be Heard) would be cobbled together from outtakes and recordings done without Dunbar, their third LP, To Mum, From Aynsley and the Boys, was truly the final proper full-length release by the original group. Dunbar had expressed some interest in moving further afield from the blues-rock format around the time the record was done, and the addition of keyboardist Tommy Eyre (from the Grease Band) to the lineup was one step in that direction. The enlistment of John Mayall as producer was perhaps another step in attempting to refine their sound. Still, much of To Mum, From Aynsley and the Boys is pretty standard late-'60s British blues-rock, in line with the previous two albums by the band. Eyre does inject some of the arrangements with a jazzy, more R&B feel, particularly on "Leaving Right Away" and the instrumental "Unheard," the latter of which sounds like a rock band trying to do modern jazz and finding themselves a bit out of their depth.
The Aynsley Dunbar Retaliation - Doctor Dunbar's Prescription (1968) Reissue 1993

The Aynsley Dunbar Retaliation - Doctor Dunbar's Prescription (1968)
EAC | FLAC | Tracks (Cue&Log) ~ 209 Mb | Mp3 (CBR320) ~ 103 Mb | Scans included
Blues-Rock, British Blues | Label: MCA/One Way | # MCAD 22102 | Time: 00:33:56

The Aynsley Dunbar Retaliation's second album was much the same as their first, offering competent late-'60s British blues, given a slightly darker cast than was usual for the style via Victor Brox's somber vocals. Like their debut, it was dominated by original material, and as on its predecessor, the compositions were rather routine blues-rock numbers, though they benefited from arrangements by highly skilled players. The best of these tracks were the ones that utilized Brox's gloomy, almost gothic organ, if only because it made them stand out more among the company of the many similar bands recording in the prime of the British blues boom.
The Aynsley Dunbar Retaliation - The Aynsley Dunbar Retaliation (1968) Reissue 1993

The Aynsley Dunbar Retaliation - The Aynsley Dunbar Retaliation (1968)
EAC | FLAC | Track (Cue&Log) ~ 192 Mb | Mp3 (CBR320) ~ 111 Mb | Scans included
Blues-Rock, British Blues | Label: MCA/One Way | # MCAD 22101 | 00:37:41

On their self-titled debut album, the Aynsley Dunbar Retaliation flashed a British blues-rock approach that was rather similar to that of John Mayall & the Bluesbreakers circa 1967. That was unsurprising considering that leader and drummer Dunbar had played on the Bluesbreakers' 1967 A Hard Road album, and that bassist Alex Dmochowski would later play with Mayall himself. Although everyone in the Aynsley Dunbar Retaliation was a skilled player, the record ultimately comes off as rather second-division late-'60s British blues, though in a little heavier and darker a style than Mayall's. That's not to say it's mediocre, but the material (mostly original) is only average, and not quite up to the level of the musicians' instrumental proficiency. Too, Victor Brox isn't the greatest singer, though he's okay, and while Jon Morshead plays guitar well, his style sometimes seems quite influenced by Peter Green (listen especially to his work on the cover of Percy Mayfield's "Memory of Pain").
The Aynsley Dunbar Retaliation - Dr. Dunbar's Prescription `69 & Blue Whale `70 (2004)

The Aynsley Dunbar Retaliation - Dr. Dunbar's Prescription `69 & Blue Whale `70 (2004)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2004 | Walhalla Records, WH 90327 | ~ 522 or 188 Mb | Scans(jpg) -> 8 Mb
Blues, Blues-Rock

Of the numerous British blues-rock bands to spring up in the late '60s, the Aynsley Dunbar Retaliation was one of the better known, though solid reception on tours did not translate into heavy record sales. Musically, the group recalled John Mayall's Bluesbreakers during the 1966-1967 era that had produced that group's A Hard Road album, though with a somewhat more downbeat ton…
The Aynsley Dunbar Retaliation - To Mum From Aynsley And The Boys (1969) / Remains To Be Heard (1970) [Remastered 2006]

The Aynsley Dunbar Retaliation - To Mum From Aynsley And The Boys (1969) / Remains To Be Heard (1970) [Remastered 2006]
EAC Rip | FLAC (image & cue & log) | 516 MB | MP3 CBR 320 kbps | 195 MB | Covers (JPEG) | 34 MB | 00:39:55 + 00:44:22
Genre: Blues Rock | Country: UK | Label: SPV/Blue Lable | SPV 97912 2CD

The Aynsley Dunbar Retaliation's third and fourth (and final pair of) albums, To Mum, from Aynsley and the Boys and Remains to Be Heard, are combined into this two-CD reissue, which adds lengthy historical liner notes by British blues-rock expert Harry Shapiro. Although Remains to Be Heard would be cobbled together from outtakes and recordings done without Dunbar, their third LP, To Mum, from Aynsley and the Boys, was truly the final proper full-length release by the original group. Dunbar had expressed some interest in moving further afield from the blues-rock format around the time the record was done, and the addition of keyboardist Tommy Eyre (from the Grease Band) to the lineup was one step in that direction.

Fourth Down in Dunbar  eBooks & eLearning

Posted by sasha82 at Jan. 3, 2015
Fourth Down in Dunbar

Fourth Down in Dunbar by David A. Dorsey
2014 | ISBN: 0813060192 | English | 299 pages | PDF | 1 MB

Aynsley Dunbar - Blue Whale (1970) [Reissue 2007]  Music

Posted by Andi_Deris at Nov. 11, 2013
Aynsley Dunbar - Blue Whale (1970) [Reissue 2007]

Aynsley Dunbar - Blue Whale (1970) [Reissue 2007] Digipak
EAC Rip | FLAC: Image+Cue+Log | 289.22 Mb | MP3 CBR 320 kbps | 129.53 Mb | Scans | Time: 45:06
Genre: Rock, Progressive/Jazz Rock | Label: Music Avenue | Cat.№: 250170

Drummer Aynsley Dunbar has mastered a variety of musical styles, including Blues, Fusion, Rock and Progressive Rock. Between 1970 and today Dunbar worked with (among others): Zappa, Journey, Bowie, Lou Reed, Jefferson Starship, Whitesnake, Pat Travers, Michael Schenker, John Lee Hooker, and Eric Burdon. In 1970 he recorded "Blue Whale", which features 4 lengthy Progressive Rock pieces as well as a 16-minute version of Zappa's Willie The Pimp. Dunbar is impressive, while twin lead guitars, keyboards and a brass section all push for position behind Paul Williams' vocals.
The Aynsley Dunbar Retaliation - S/T + Doctor Dunbar's Prescription (1968/69) (2006, Remastered)

The Aynsley Dunbar Retaliation - S/T + Doctor Dunbar's Prescription (1968/69)
Year & Label: 1968/69/2006, Blue Label/SPV GmbH, Germany | CD#: SPV 97892 2CD
Flac (image) | MP3 CBR 320 Kbps | Artwork (JPG, 300 dpi) | File-hosts: FilePost
Blues Rock | FLAC: 530 MB | Artwork: 40 MB | MP3: 180 MB | 5% WinRAR Recovery

EAC Secure-rip with LOG+CUE+COVERS | Source: torrents

Dunbar 1650: Cromwell's most famous victory (Campaign)  eBooks & eLearning

Posted by yurii1982 at Aug. 2, 2009
Dunbar 1650: Cromwell's most famous victory (Campaign)

Dunbar 1650: Cromwell's most famous victory (Campaign)
Publisher: Osprey Publishing | ISBN: 1841767743 | edition 96 | PDF | 96 pages | 63,2 mb

Having already allied with his father, the Scots’ acceptance of Charles II as king in 1649 caused deep suspicion in England. In July 1650, Oliver Cromwell led a powerful force across the Scottish border to remove the problem. For six weeks Cromwell waged a frustrating campaign against a Scots enemy that refused to meet him in battle…

The Martyr and the Traitor: Nathan Hale, Moses Dunbar, and the American Revolution  eBooks & eLearning

Posted by arundhati at July 2, 2017
The Martyr and the Traitor: Nathan Hale, Moses Dunbar, and the American Revolution

Virginia DeJohn Anderson, "The Martyr and the Traitor: Nathan Hale, Moses Dunbar, and the American Revolution"
2017 | ISBN-10: 0199916861 | 288 pages | PDF | 5 MB