Dufay Missa

Dufay: Missa Puisque je vis (2013)  Music

Posted by peotuvave at May 4, 2014
Dufay: Missa Puisque je vis (2013)

Dufay: Missa Puisque je vis (2013)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 292 MB
Genre: Classical | Label: Hyperion | Catalog Number: 55423

This recording contains the Missa Puisque je vis, almost certainly by Dufay, and Compère’s Omnium bonorum plena written in praise of the Virgin Mary, as well as motets by Dufay and other sources, all of which help colour our increasing awareness of the florid richness and emotional devotion of music before Baroque, till recently the starting point of most people’s awareness of the art. Characteristics of Dufay are his intricate workmanship and the development of independent balance among the vocal parts that lead us naturally to the satisfying clarity which has itself given old music a strangely contemporary feel.
Guillaume DuFAY. Missa Se la face ay pale et al. / Chiaroscuro, Nigel Rogers

Guillaume DuFAY. Missa Se la face ay pale et al. / Chiaroscuro, Nigel Rogers
EAC FLAC (295MB) | NO LOG | Embedded CUE | Scans (13 MB) | OGG·160 (70 MB)
Nuova Era 6741 (1988) | medieval-Renaissance
Guillaume DUFAY. Missa "Ecce ancilla Domini" - Missa "Ave Regina caelorum"

Guillaume DUFAY. Missa "Ecce ancilla Domini" - Missa "Ave Regina caelorum"
Die Prager Madrigalisten, Miroslav Venhoda

EAC FLAC (300MB) | NO LOG | Embedded CUE | Scans (8 MB) | OGG·160 (65 MB)
Supraphon "Crystal Collection" 11 0637-2211 (1968) | medieval-Renaissance
O Magnum Mysterium - Dufay, Ockeghem, Desprez, Finck, Gombert, Brumel, Isaac (Schola Cantorum Stuttgart)

O Magnum Mysterium - Dufay, Ockeghem, Desprez, Finck, Gombert, Brumel, Isaac (Schola Cantorum Stuttgart)
Classical | EAC: FLAC+Cue+Log | 4 Cd, Cover+Booklet | 1.27 Gb
Label: Brilliant/Bayer - Date: 70's-80's
The Fiamminghi - La Polyphonie Flamande - The Flemish Polyphony (2011) {8CD Set Ricercar RIC 102}

The Fiamminghi - La Polyphonie Flamande - The Flemish Polyphony (2011) {8CD Set Ricercar RIC 102}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.67 Gb | MP3 @320 -> 1.44 Gb
Full Artwork @ 300 dpi (jpg) -> 252 Mb | 5% repair rar
© 2011 Outhere / Ricercar | RIC 102
Classical / Early Music / Polyphony / Medieval / Choral / Renaissance / Sacred Works

The composers known collectively as the Fiamminghi made their mark in Europe in general and in Italy and in France in particular during the 15th century. Their talent and skill gained them the most important positions in the great musical establishments of the time. This collection is devoted to the leading composers of the 15th century, from those of the first generation (Guillaume Dufay, Gilles Binchois, Arnold de Lantins and Johannes Brassart) through Johannes Ockeghem, the great master of polyphonic technique, to Josquin Desprez and Pierre de La Rue, two musicians taught by Ockeghem who laid the foundations of the Ars Perfecta during the Renaissance. Also included is Jacob Obrecht, the only composer of this school whose career was based essentially in his native Flanders. Every genre of both sacred as well as secular music of the time is represented here.
St. Florianer Sangerknaben, Ars Antiqua Austria, Gunar Letzbor - Biber: Missa Alleluja; Nisi Dominus (2017)

Heinrich Ignaz Franz Biber: Missa Alleluja; Nisi Dominus etc (2017)
St. Florianer Sängerknaben, Ars Antiqua Austria; Gunar Letzbor

EAC | FLAC | Image (Cue&Log) ~ 289 Mb | Mp3 (CBR320) ~ 139 Mb | Artwork included
Classical, Choral | Label: Accent | # ACC24325 | Time: 00:59:08

Several masses with large orchestration attest to the outstanding compositional skills of the Salzburg master Heinrich Ignaz Franz Biber (1644-1704) in coping with large ensembles. As usual in Salzburg, Biber expects polychoral performances. The church music at the Salzburg cathedral drew its orientation from the performance practice in Venice. The Missa Alleluia was probably composed after 1690 and certainly before 1698, because a manuscript was made in Kremsmunster that year. The original score and sheets from Salzburg are lost. Excellent copies have been preserved at the Upper Austrian abbey at Kremsmunster: they serve as a basis for the present recording. Biber has fully exploited the possibilities of Baroque Instrumentation in the Missa Alleluia: a chorus with 2 sopranos, 2 altos, 2 tenors and 2 bass voices grants him a large number of combinations of voices and thus constant change of timbre. The strings choir also has six parts, with both violins often conducted virtuosically. A chorus with 3 trumpets and 2 cornetti is even surpassed in tonal mass by the chorus composed of 2 clarini, 4 trumpets, and timpani. This large number of trumpets emphasizes the cheerful character of the work and is very luxurious by Austrian standards.
The Choir of Westminster Cathedral, Martin Baker - Palestrina: Missa Dum complerentur, Veni Sancte Spiritus (2003) (Repost)

The Choir of Westminster Cathedral, Martin Baker - Palestrina: Missa Dum complerentur, Veni Sancte Spiritus (2003)
EAC | FLAC (image+.cue, log) | Covers Included | 71:07 | 304 MB
Genre: Classical, Choral | Label: Hyperion | Catalog: CDA67353

The music of the sixteenth-century composer Palestrina is still today at the heart of many of the Roman Catholic services sung all around the world. The congregation at Westminster Cathedral is particularly fortunate to hear on a regular basis this inspirational music sung by one of the finest choirs in the world, and this album focuses on music for Whitsuntide.
Ludwig Guttler, Virtuosi Saxoniae, Sachsisches Vocalensemble - Johann Adolf Hasse: Missa ultima in g (2006)

Ludwig Güttler, Virtuosi Saxoniae, Sächsisches Vocalensemble - Johann Adolf Hasse: Missa ultima in g (2006)
EAC | FLAC | Image (Cue & Log) ~ 320 Mb | Total time: 63:30 | Scans included
Classical | Label: Carus | # 83.240 | Recorded: 2005

Following the appearance of the first CD recording of the new organ in the reconstructed Dresden Frauenkirche (with organist Samuel Kummer, Carus 83.188) at last, the first live concert performance has just been released on the Carus label. The G minor Mass is the “Opus ultimum” of the 84-year-old Johann Adolf Hasse, who for almost three decades dominated musical life at the Saxon Court of Dresden and who was regarded as the musical idol of his era. The centerpiece of the work of a type known as a “Missa solemnis” is a seven-movement Gloria, with brilliant, extended trumpet parts. The G minor Mass is an attractive work which shines as a result of ist beautiful sound, depth of expression and the richness of its harmonic ideas. It is conducted by Ludwig Güttler, who devoted his energies towards the reconstruction of the Dresdner Frauenkirche.
Nationaal Vrouwen Jeugdkoor, Nederlands Kamerkoor & Cappella Pratensis - Missa Unitatis (2017)

Nationaal Vrouwen Jeugdkoor, Nederlands Kamerkoor & Cappella Pratensis - Missa Unitatis
Classical, Choral | WEB FLAC (tracks) & front cover | 63:58 min | 255 MB
Label: Challenge Classics | Tracks: 16 | Rls.date: 2017

This program around the Missa Unitatis represents a meeting of many different musical travellers. Shortly after making its home in the southern Dutch city of ’s-Hertogenbosch in 2006, Cappella Pratensis renewed its acquaintance with an organisation that has been travelling through some 700 years of history, the Confraternity of the Illustrious Lady. To celebrate the Year of Religious Heritage in 2008, the Confraternity commissioned a work by the British composer Antony Pitts.
Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major (2017)

Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major
Classical, Choral, Vocal | WEB FLAC (tracks) & d. booklet | 73:39 min | 330 MB
Label: SDG | Tracks: 27 | Rls.date: 2017

The Monteverdi Choir and English Baroque Soloists celebrate Christmas with a mixed programme of J.S. Bach’s sacred choral works. As we approach the 500th Anniversary of the Lutheran Church, these works transport listeners to 18th-century Leipzig for a traditional Christmas celebration. The programme moves from the intimacy of “Süßer Trost” to the vast celebration of joy that is Bach's Magnificat. The Bach at Christmas project is dedicated to the memory of philanthropist and patron of the Monteverdi choir, Sir Ralph Kohn. The concerts from which these recordings were taken took place at the Alte Oper, Frankfurt, in December of 2016.