Drive Henry

Drive!: Henry Ford, George Selden, and the Race to Invent the Auto Age  eBooks & eLearning

Posted by IrGens at Nov. 29, 2016
Drive!: Henry Ford, George Selden, and the Race to Invent the Auto Age

Drive!: Henry Ford, George Selden, and the Race to Invent the Auto Age by Lawrence Goldstone
English | May 17, 2016 | ISBN: 0553394185 | EPUB | 384 pages | 19 MB

Henry Gray - Lucky Man (1988) CD Release 1990  Music

Posted by Designol at May 17, 2017
Henry Gray - Lucky Man (1988) CD Release 1990

Henry Gray - Lucky Man (1988) CD Release 1990
EAC | FLAC | Image (Cue&Log) ~ 238 Mb | Mp3 (CBR320) ~ 95 Mb | Scans included | 00:35:48
Electric Chicago Blues, Piano Blues, Boogie Woogie | Label: Blind Pig | # BPCD 8013

The lustrous Chicago blues scene of the 1950s was predominated by great pianists, and Henry Gray was one of the finest. His rolling two-fisted keyboard work graced countless Chicago blues recordings during the '50s for leading labels like Chess and Vee Jay. He recorded on classic sides by Jimmy Reed, Bo Diddley, Little Walter, and Jimmy Rogers, among others. Starting in 1956, Henry spent twelve years as pianist for the legendary Howlin' Wolf. The sessions for Lucky Man, his first solo American album, were recorded in 1988, and marked something of a comeback for Henry, who had recorded only sporadically in the previous two decades. Audio magazine said that on the album, "Gray performs as if the heyday of Chicago blues never ended."
Canned Heat & Henry Vestine - Human Condition Revisited & Used To Be Mad! (2006) {2CD Blue Label SPV-97942 rec 1978, 1981}

Canned Heat & Henry Vestine - Human Condition Revisited & Used To Be Mad! (2006) {2CD Blue Label SPV-97942 rec 1978, 1981}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 795 Mb | MP3 @320 -> 269 Mb
Full Artwork @ 600 dpi (png) -> 381 Mb | 5% repair rar
© 1978, 1981, 2006 Blue Label / SPV | SPV 97942
Rock / Blues Rock / Blues / Boogie Rock

Canned Heat's 1978 release, Human Condition, was an important one in the band's overall discography, as it was the last studio effort to feature original singer Bob Hite fronting the band (Hite would pass away in 1981). In 2006, the album was expanded with a pair of live tracks from 1985 and retitled Human Condition Revisited, and was packaged as a double disc that also featured the overlooked 1981 solo effort by Canned Heat guitarist Henry Vestine, I Used to Be Mad! (But Now I'm Half Crazy).
The Early Music Consort Of London – Henry VIII And His Six Wives (1972) Angel Records/SF0-36895 – 1rst US LP In 24bit/96kHz

David Munrow & The Early Music Consort Of London – Henry VIII And His Six Wives: Music From The Soundtrack Film
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 950mb & 270mb
Label: Angel Records/SF0-36895 | Released: 1972 | Genre: Renaissance

You may remember a film from the early 1970s called Henry VIII & his Six Wives, starring Keith Mitchell, Donald Pleasance, and Charlotte Rampling; it was notable for its score, which not only featured authentic music of the period (nearly unheard-of at the time), but also was, according to David Munrow, “the first historical film in which the music has been scored entirely for historical instruments.” Munrow also added a few numbers of his own to satisfy the needs of the movie, patterned after 16th-century style and form. Although these days such attention to authenticity is common, even expected, Munrow was one of the pioneers in bringing musicological research and the more immediate practicalities of really old, original instruments and stylistic practice to the level of popular culture. Of course, also in these early days was planted the impression that period instruments must necessarily be somewhat clunky and (to varying degrees) not quite ideally in tune–and in some cases, just plain annoyingly squawky and prone to obnoxious buzzing noises. While this generally fine issue from Testament offers many reminders of those times, when musicians were still finding their way in unfamiliar territory (and often using very user-unfriendly instruments), this release will prove mostly a delight for early music fans–and will be a real treat for those who own the original LPs from which these tracks were drawn.
Misha Keylin, Slovak Radio Symphony Orchestra, Andrew Mogrelia - Henry Vieuxtemps (2010)

Misha Keylin, Slovak Radio Symphony Orchestra, Andrew Mogrelia - Henry Vieuxtemps (2010)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 62:56 | 309 MB
Genre: Classical | Label: Naxos | Catalog: 8570974

The violin concertos of Belgian-born composer/virtuoso Henri Vieuxtemps have been recorded by various players, including the young Russian-American virtuoso Misha Keylin heard here. But these shorter pieces, which would have been the stock-in-trade of Vieuxtemps' active touring life (during one American tour he made 121 appearances in six months, without benefit of planes, automobiles, or in many cases trains), are a good deal rarer. They don't have the main virtue of the concertos, which is that there's a certain amount of structural interest to go with the Paganini-like fireworks, but they're a great deal of fun.
Ensemble Correspondances & Sébastien Daucé - Henry du Mont: O Mysterium (Motets & élévations) (2016)

Ensemble Correspondances & Sébastien Daucé - Henry du Mont: O Mysterium (Motets & élévations)
Classical | FLAC (tracks)+cue, log, booklet | 71:10 min | 369 MB
Label: Harmonia Mundi | Tracks: 12 | Rls.date: 2016

For 20 years (from 1663 to 1683) Henry Du Mont directed the music of the Sun King’s chapel. For the daily Mass there he built up a new repertory consisting of motets for full chorus and more intimate pieces for solo voices. The former aimed to transpose to the context of ‘ordinary’ the format of the large-scale works conceived for extraordinary ceremonies. Sébastien Daucé presents an innovative approach to these grands motets, that at once links specific musical features with historical data, for each of which he adopts a specific instrumental scoring.
Henry Purcell - Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs (Michael Chance, Choir Of Clare College) [2001]

Henry Purcell - Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs
(Michael Chance, Choir Of Clare College, Cambridge) [2001]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 522 MB
Classical | Label: C Majeur / NCRV ‎/ Columns Classics | Catalog Number: 290170 | TT: 2:07;41

Compilations are highly useful in understanding the works of the inexhaustibly tuneful British composer Henry Purcell (1659-1695). He had a few big hits, like the Funeral Music for Queen Mary (which is included here) and the opera Dido and Aeneas (which isn't). But much of his best music is scattered around in small bits, residing within genres that are rather odd from today's perspective. Purcell spent much of his short adult life as a theater composer, and his incidental music, for example, is filled with perfect miniatures…

Dan Henry - FB Ads for Entrepreneurs (2016)  eBooks & eLearning

Posted by ParRus at Dec. 22, 2016
Dan Henry - FB Ads for Entrepreneurs (2016)

Dan Henry - FB Ads for Entrepreneurs
WEBRip | English | MP4 + PDF Guides | 1280 x 720 | AVC ~675 kbps | 23.976 fps
AAC | 256 Kbps | 48.0 KHz | 2 channels | 21:22:39 | 7.82 GB
Genre: eLearning Video / Business, Net: Advertising, Web Traffic

Learn the most sought after skill on the planet . . .the ability to drive "on demand" sales with Facebook Ads.

Marketing Performance: How Marketers Drive Profitable Growth  eBooks & eLearning

Posted by Grev27 at Dec. 3, 2016
Marketing Performance: How Marketers Drive Profitable Growth

Thomas Bauer, Tjark Freundt, Jonathan Gordon, Jesko Perrey, "Marketing Performance: How Marketers Drive Profitable Growth"
English | ISBN: 1119278333 | 2016 | EPUB | 200 pages | 2,1 MB
Henry Threadgill Zooid - In For A Penny, In For A Pound (2015) [2CDs] {Pi Recordings}

Henry Threadgill Zooid - In For A Penny, In For A Pound (2015) [2CDs] {Pi Recordings}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 497MB + 5% Recovery
Genre: Avant-Garde Jazz

In for a Penny, In for a Pound is the latest installment in saxophonist/ flutist/composer Henry Threadgill’s ongoing exploration of his singular system for integrating composition with group improvisation. The music for his band Zooid – his main music-making vehicle for the past fourteen years and the longest running band of his illustrious forty plus-year career – is no less than his attempt to completely deconstruct standard jazz form, steering the improvisatory language towards an entirely new system based on preconceived series of intervals. His compositions create a polyphonic platform that encourages each musician to improvise with an ear for counterpoint and, in the process, creating striking new harmonies.