At a time when Horslips were rapidly drifting away from their quasi-traditional Irish roots, they unexpectedly delivered this gift-wrapped gem. With the exception of Barry Devlin's electric bass and John Fean's occasional contemporary guitar stylings, this is a solid traditional Irish album and certainly the most autochthonous recording by Horslips. All 13 of the selections are of Irish origin, among them three Turlough O'Carolan tunes including the sprightly "Sir Festus Burke" (it is unclear whether it was ever intended as a Christmas song). It unfolds into a Celtic "wall of sound" featuring Jim Lockhart's harpsichord, with banjo, flute, fiddle and guitar gradually joining in the round. "Thompson's/Cottage in the Grove" is a pair of reels that progress in much the same fashion. This time, the concertina of Charles O'Connor is followed by banjo, piano, whistle, bodhran and bones. The nearest this record gets to familiar holiday carol territory is found in a passage from the hornpipe "Piper in the Meadow Straying," which bears a calculated resemblance to "Don we now our gay apparel" from "Deck the Halls." This was a surprising and risky recording for a mid-'70s rock band, but it definitely rejuvenated them and paved the way for their 1976 tour de force Book of Invasions: A Celtic Symphony.
A massive collection with faszinating mystic sounds from Africa, Asia and Orient. "Buddha Deluxe Lounge" with his 50 trax slides you in a faszinating mystic mood. Exotic instruments, mystic vocals phrases, a mystical journey into another world. Enjoy "Buddha Deluxe Lounge Vol.11: Best Of 7 Years!" …50 mystic bar sounds!
Includes continuous mix by DJ Maretimo.
Though he has shown a mastery and affinity for both electric and acoustic axes, Tommy Emmanuel's Higher Octave debut, Midnight Drive, finds him focusing almost exclusively on warm yet frequently aggressive acoustic melodies, complemented here and there by the raw, plugged-in energy of Robben Ford and Larry Carlton. The overall mix is the kind that smooth jazz lovers find easy to swallow, but offers more bite and adventure than most like-minded releases in the genre. Smooth jazz radio may find an easy mark with a laid-back take of Sting's "Fields of Gold," but Emmanuel's other tracks dig deeper, showing off a stylistic chameleon drawing from the many phases of his career. His soft pop side comes out on power ballads "No More Goodbyes" and "Stay Close to Me," the latter reminding us why guest saxman Warren Hill's biggest hit to date was called "The Passion Theme." Emmanuel's more aggressive blues-rock side (honed no doubt by a few years in the progressive mid-'80s ensemble Dragon) emerges with Carlton's help on "Can't Get Enough." The striking contrast between the pastoral, folksy roads of "Drivetime" and the disc's best track, "Villa de Martin" best reflects the gamut of Emmanuel's approaches.
Blu-ray + CD set from Steven Wilson featuring unreleased tracks, videos, live recordings and high-definition audio. In February 2013 Steven Wilson released The Raven That Refused To Sing (And Other Stories), his third solo album. The album was a huge critical and commercial success, earning numerous 5 star reviews and charting well across the world, debuting at #3 in the German national chart, #28 in the UK top 40, #57 in the US Billboard top 200, #16 in Holland and #17 in Finland. Steven assembled a virtuoso band to record the album and subsequently embarked on an extensive world tour…