Two of the most memorable albums from the trip-hop and acid jazz era are by cornettist Graham Haynes (Transition) and trumpeter Ben Neill (Goldbug. Dressing for Pleasure preceeded them both. Usually, an adjective like "suave" doesn't sit easily on an ethnomusicologist whose knack for directness is grounded by his sense of beauty; neither does a label like "acid jazz." But this is Hassell's only album to fit its musical moment, following his appearance on the soundtrack of the crime film Trespass. The feel of a fully committed band is especially amazing – Hassell and drummer Brain work with an army of bassists (six, including Flea of the Red Hot Chili Peppers) and enough programmers (three) to field a dot com startup on a coffee break. Hassell's horn flits through a sexy blend of trip-hop's hard drum programs topped with soft, impassive electronic textures like a bird circling over a crowded intersection. Woodwind player Kenny Garrett and guitarist Gregg Arreguin provide thematic voices, too, but melody is rarely enough in this genre.
Al Murray celebrates Britain’s biggest DIY disasters in a four-part entertainment series that names and shames the perpetrators of some of the most heinous crimes the do-it-yourself world has ever seen. Each instalment features a themed collection of DIY debacles from wallpapering to roofing, telling terrible stories from British homes. The tales feature some tremendously good sports and their misguided masterpieces, as well as their long-suffering partners! The coveted Glass Hammer award awaits each DIY dummy we meet.
Engineer Jem Stansfield investigates how the crash test dummy has become an icon for safety. For 65 years he has been crashed, smashed and impaled, evolving from a simple military mannequin into a highly sophisticated measuring tool.