Igor Levit makes his debut on Sony in the last six piano sonatas of Ludwig van Beethoven, a part of the repertoire that is usually reserved for mature artists, not rising stars. Yet in spite of some signs of youthful enthusiasm, and a possible loss of objectivity from playing these pieces on a busy recital schedule, Levit has a good feeling for Beethoven's late style, and his 2013 release is a promising beginning for his recording career. The excessive use of rubato is something Levit should watch, because too much alteration of the tempo dissipates Beethoven's energy, and even though these sonatas have their moments of reverie and trance-like passages that can be interpreted as mystical experiences, too much elasticity can make them seem like idle daydreams, or worse, forgetfulness.
This is a very complete set indeed. It includes all the quartets in the latest edition prepared by Jonathan Del Mar which restores many important markings by Beethoven and which has been done in collaboration with the Endellion Quartet. Both versions of the first quartet or included as well as Beethoven's quartet arrangement of the piano sonata Op. 14 no. 1. the Gross Fuge, both string quintets plus other works for string quartet including the two prelude and fugues.
If beauty is truth and truth beauty, then the Quartetto Italiano's late-'60s, early-'70s cycle of the complete Beethoven string quartets is possibly the most truthful cycle ever recorded because it is certainly the most beautiful cycle ever recorded. No quartet has ever played with such consummate beauty of tone, such ideal intonation, and such superb ensemble as the Quartetto Italiano. In the most strenuous passages, in the most awkward, in the most excruciating passages, the Italiano is always and everywhere transcendentally beautiful.
One of the great cycles. Of the hundred or so available recorded cycles (out of about one hundred and fifteen or so), this rates as one of the best. In better sound than either the DG stereo cycle and the live King International cycle, Kempff's style is more poetic and less intense and fiery than others. Whatever Kempff may give away in terms of speed, power, and precision, he makes up for in other ways
A stunning 12-CD box set, Beethoven Unbound, will be released to mark the completion of Llŷr Williams’ monumental Beethoven cycle at Wigmore Hall and the Royal Welsh College of Music and Drama (RWCMD) – recorded live at Wigmore Hall over three years and nine recitals.
If you want a good sampling of Copland's orchestral works, then this 2-CD compilation comes highly recommended, with excellent performances of works such as Appalachian Spring, Quiet City, El Salón México and others. (Presto Classical)
In 2015 the Berliner Philharmoniker dedicated an evening of their renowned Easter Festival in Baden-Baden to one of the most famous and beloved of German composers, Ludwig van Beethoven. Together with Bernard Haitink, a universally acclaimed authority on the works of that composer, they performed Beethoven’s exquisite expression of nature, his Symphony No. 6, the “Pastoral”. They were joined for Beethoven’s Violin Concerto by Isabelle Faust, whose interpretation of the work has enjoyed widespread acclaim.
Helen Jahren is one of today’s most prominent oboe soloists. As one might expect from a former pupil of the legendary Heinz Holliger, she takes a great interest in contemporary music and has premièred a succession of concertos and works written directly for her. On this disc however, she presents a selection of pieces written between 1935 and 1983 for oboe, with and without piano accompaniment. The composers are Britten, Doráti and Krenek – of English, Hungarian and Austrian origin respectively …………
Mercury Living Presence is special in many ways - an American company, from the heyday of classical recording in the U.S. that reproduced some of the most sonically realistic recordings at the dawn of the stereo era. Precious few stereo LPs were pressed when these recordings were issued, and they became some of the rarest, most collectible classical discs ever. Mercury Living Presence continues to enjoy a special reputation as one of the most enterprising, prestigious and sonically-spectacular labels in the history of classical recording.