French guitarist Bireli Lagrene's recent work has helped to reinvigorate the classic gypsy swing style while simultaneously adding excitement and diversity to the world's jazz market. On Move, Lagrene and his Gipsy Project really spice up his Django Reinhardt-influenced chops and cleverly arrange some of the more memorable standards and jazz styles launched on America's shores including bebop and cool. There are so many exceptional works in the Great American Songbook that it would be almost irresponsible not to include a few in one's repertoire. "Cherokee," and "This Can't Be Love," make the cut this time as two carefully placed covers that add familiarity to Lagrene's set…
A happening. Not that these two heavyweight reedsmen had never shared a stage, but this was going to be a face-off, a clash between two of the hardest-working free improv trios on the circuit. On the left side of the stage: Evan Parker, with drummer Paul Lytton and pianist Alex von Schlippenbach, the latter filling in for bassist Barry Guy. On the right side: Peter Brötzmann and his trusty rhythm section, bassist William Parker and drummer Hamid Drake. These are two highly experienced and gifted trios, with different approaches (complementary ones, some will say).
Jun Fukamachi was Japanese jazz-fusion composer, pianist and pioneering synthesizer player. Born May 21, 1946, died November 22, 2010. During the late 70s he played with The Brecker Brothers, Steve Gadd, David Sanborn etc.
Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant'Angelo in the fall of 1716. While Vivaldi had, by its debut, been an important member of Venetian musical culture for over a decade as a violinist and composer, he had begun composing only three years earlier. Domenico Lalli, his librettist, who settled in Venice in 1710 after fleeing his native Naples upon being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century.
Billy Bauer was an accomplished studio guitar player whose only studio date as a leader was this release, finally reissued as a part of the Verve Elite Edition limited edition CD series in 2000. Throughout the CD he is never overpowering, but a solid rhythmic player, whether essaying a gently swinging "Too Marvelous for Words" or a more sprightly "You'd Be So Nice to Come Home To." Bauer also wrote several originals for the date, including the easygoing bop vehicle "Lincoln Tunnel," the tender ballad "Night Cruise," and the unaccompanied "Blue Mist." Accompanying Bauer is bassist Milt Hinton, drummer Osie Johnson, and the obscure pianist Arnold Ackers. While this won't be an essential CD for every jazz fan, those who acquire it will not be disappointed.