An amazing piece of work – a massive eight-disc boxed set that contains every one of Fats Domino's 1949-1962 Imperial waxings. That's a tremendous load of one artist, but the legacy of Domino and his partner Dave Bartholomew is so consistently innovative and infectious that it never grows tiresome for a second. From the clarion call of "The Fat Man," Domino's 1949 debut, to the storming "Dance with Mr. Domino" in 1962, he typified everything charming about Crescent City R&B, his Creole patois and boogie-based piano a non-threatening vehicle for the rise of rock & roll. A thick, photo-filled book accompanies the disc, and there's an exhaustive discography that makes sense of Domino's many visits to Cosimo Matassa's studios. If you care about Fats Domino, this is the package for you!
In early 1967 Rick Hall’s Fame set-up was missing a vital ingredient. Despite all the success he had achieved as a producer, studio-owner, publisher and record label boss, he had yet to sign an enduring artist. That was about to change. The previous year a duo who recorded as Clarence & Calvin hired the studio to cut a self-financed single. They had been working together for five years and had just left a deal with Houston-based Duke Records. As he watched them, Hall thought he had found his stars and urged them to come back and sign with him. When the day came, only Clarence Carter appeared. At first, Hall was dismissive of the singer’s pleas to be signed as a solo act but eventually relented and gave him a go.
In a perfect world, Lucy Reed would have been much better-known and would have built a large catalog. But regrettably, the obscure Midwestern jazz singer never became well-known, and she only recorded a few albums. Recorded at various sessions in January 1957, This Is Lucy Reed is the second of two albums she provided for Fantasy. This album, which Fantasy reissued on CD in 2001, finds Reed backed by some of bop's heavyweights, including trumpeter Art Farmer, trombonist Jimmy Cleveland, bassist Milt Hinton, arranger George Russell (who is heard on drums), and arranger Gil Evans (who plays piano on four selections).
This is Music: The Singles 92–98 is a singles compilation album by the English alternative rock band The Verve. The compilation was released in November 2004 and included two previously unreleased tracks: "This Could Be My Moment" and "Monte Carlo". The album was named after a track by the same name off their 1995 album A Northern Soul. The album cover is based on the cover of their 1992 single, "She's a Superstar".
Florida Georgia Line (Georgia's Tyler Hubbard and Florida's Brian Kelley) broke onto the contemporary country scene in the spring of 2012 with the infectious summer single "Cruise," a song that blended cruising country back roads and farm towns with ragged drums and layers of rock guitar, and sounded a bit like an amped-up, next-generation Brooks & Dunn. The duo seems poised for stardom going into the second decade of the 21st century, a time when country seems to be as much AC/DC as it is George Strait or George Jones (although both Georges get name-checked a lot these days in country songs one can hardly imagine either of them singing).
In the weeks before his death, Michael Jackson (August 29, 1958 - June 25, 2009) was rehearsing a show, "This Is It," that was to open in July. This film begins with a few of the auditioning dancers speaking to the camera about why they're trying out and what Jackson means to them. Then we plunge into rehearsals at Staples Center in Los Angeles. The film is arranged by musical number with pre-recorded material and footage from Jackson's various rehearsals edited together to take us through what would have been the concert's set list.