Set of Fremeaux’s definitive Integrale Django Reinhardt collection. Mastered by Daniel Nevers, there are 20 volumes of these, and each volume has 2 CDs – 40 CDs total. Each volume also comes with a fairly thick booklet with discography and notes. And the booklets and inserts have very nice B&W pictures of Django. Une réédition d’exception ! Depuis quelques années maintenant, les éditions Frémeaux ont entrepris la publication d’une intégrale des enregistrements de Django Reinhardt.
This fascinating look at the art of improvisation in the Gypsy jazz tradition shows you how to really swing! Paul Mehling, leader of the Hot Club of San Francisco, has a comprehensive knowledge of all aspects of this powerful and infectious style, and he provides a wealth of information and playing tips to get you off to a solid start. Before long, you’ll be playing exciting solos in the style typified by Django Reinhardt, Birelli Lagrenne and other hot players of this dynamic genre. You’ll learn the theory and playing techniques behind the music, including the exercises, scales, modes and arpeggiated picking ("the heart of the Reinhardt style") that will allow you to come up with your own improvisations. He includes advice on fingering, use of the metronome, singing your solos and how to "focus your attention so your hands can play what your ears hear."
They don’t call it "hot guitar" for nothing! The driving style pioneered by Django Reinhardt and other Gypsy players became one of the dominant sounds in jazz during the thirties and forties, and its influence is still strongly felt today. Paul Mehling knows the style as well as anyone, and he takes it apart in detail for the learning player. A band won’t swing without a strong rhythm section, and the powerful guitar accompaniment that typifies the Gypsy style is the foundation of this terrific lesson. Starting with basic four-to-the-bar comping and damping, Paul takes you through a variety of accompanyment ideas: arpeggios, "splayed" chords, "the gallop," chord tremolo, right hand speed and other advanced techniques.
This is the Reinhardt mother lode – a six-disc collection of the Gypsy legend's oeuvre stretching from just before to just after World War II. Disc one includes several infectious cuts with vocalist Freddy Taylor, beginning with Stuff Smith's "I'se a Muggin'." Disc six closes with one of Reinhardt and Grappelli's last recording sessions together, which included an unusually dark reading of "Oh Lady Be Good" and a revisitation of the obscure "Bricktop" (the first version appears on disc two). In between are well over 100 marvelous tracks, with sound quality up to Mosaic's (and Michael Cuscuna's) impeccable standards. The booklet contains a learned essay and annotation by Mike Peters, as well as an impressive gallery of photographs, concert posters, and news clippings. Extraordinary, and for Reinhardt's most devoted fans, entirely worth the investment.