The studio sessions within this CD were produced by Charles Delauney in Paris during the late '30s, when a number of prominent Americans were either passing through or temporarily taking up residence in Europe. Django Reinhardt was a relative newcomer to jazz, but quickly became a leading player on the continent, and is present on four very different sessions in this collection. A quartet led by cornetist Rex Stewart includes fellow Ellington veterans Barney Bigard on clarinet and bassist Billy Taylor, though the Americans and their gypsy guitarist eschew the Ellington songbook and find their own sound in a date dominated by originals written by Stewart or Taylor. Reinhardt is prominently featured as a soloist and proves himself in ensembles as well as backing others' solos.
This is the Reinhardt mother lode – a six-disc collection of the Gypsy legend's oeuvre stretching from just before to just after World War II. Disc one includes several infectious cuts with vocalist Freddy Taylor, beginning with Stuff Smith's "I'se a Muggin'." Disc six closes with one of Reinhardt and Grappelli's last recording sessions together, which included an unusually dark reading of "Oh Lady Be Good" and a revisitation of the obscure "Bricktop" (the first version appears on disc two). In between are well over 100 marvelous tracks, with sound quality up to Mosaic's (and Michael Cuscuna's) impeccable standards. The booklet contains a learned essay and annotation by Mike Peters, as well as an impressive gallery of photographs, concert posters, and news clippings. Extraordinary, and for Reinhardt's most devoted fans, entirely worth the investment.
Among the dozens of sessions Django Reinhardt cut with various groups from 1934 to 1953, he would only rarely make trio recordings. This set compiles all of this existing instrumental trios, including a variety of different formations. As a bonus, a rare session by singer Nitta Rette backed by a trio of Django, Stéphane Grappelli and pianist Emil Stern (with plenty of solos by the three instrumentalists), as well as a series of quartet sides which feature Django as a prominent soloist.
Today, nearly after fifty years after his death, Django Reinhardt's guitar artistry continues to amaze both fans and fellow musician's. This box give 103 reasons for this continuous adulation. Spanning 1934-1952, we include legendary sessions with the Quintets du Hot Club de France along with tracks from dates with Coleman Hawkins' All Star Jam Band, Bill Coleman and his orchestra, his involvement with the Glenn Miller All Stars and of course many with Stephane Grappelli with and without the Quintets. This 4 CD set shows what a giant he was and why he is such a huge influence on all guitarists playing whatever style.
Set of Fremeaux’s definitive Integrale Django Reinhardt collection. Mastered by Daniel Nevers, there are 20 volumes of these, and each volume has 2 CDs – 40 CDs total. Each volume also comes with a fairly thick booklet with discography and notes. And the booklets and inserts have very nice B&W pictures of Django. Une réédition d’exception ! Depuis quelques années maintenant, les éditions Frémeaux ont entrepris la publication d’une intégrale des enregistrements de Django Reinhardt.