This double CD collects all of the Dizzy Gillespie Big Band sides from 1946-1949 for the Bluebird and Musicraft labels, including seven previously unissued cuts. These bands were renowned for their hard-swinging styles that accented the toughness of bebop wailing R&B and Latin/Cuban grooves. Some of Diz's sidemen included Milt Jackson, Cecil Payne, Ray Brown, Willie Bobo, Yusef Lateef, Johnny Hartman, Leo Parker, John Lewis, Sonny Stitt, Kenny Dorham, James Moody, Ernie Henry, Al McKibbon, and dozens of others. Here are formidable versions of "Two Bass Hit," "Cubana Bop," "Jump Did-Le-Ba," "Oop-Pop-A-Da," and many others. In addition to the studio sides there is an entire Paris concert included from a radio transcription, making these sides indispensable. The only downside is the lack of liner notes – though full session notation is included.
Joe Lovano is part of a select group of established musicians who have been around for so long, achieved so much, and have such an instantly recognizable sound, that a new release is more or less guaranteed to be good. And so it is with Classic! Live at Newport – everybody knows what to expect but that doesn't in any way diminish the enjoyment of listening to it.
Jazz collectors can be an obsessive, detail-minded bunch, so when they acquire Vol. 2 of CAP's Dizzy in South America series, they're bound to be frustrated by the fact that the credits don't give any exact recording dates or let you know exactly where in South America each 1956 performance was recorded. As frustrating as that is, however, Vol. 2 is a CD that collectors and Dizzy Gillespie fans will be glad to get their hands on. No serious Gillespie aficionado could resist hearing previously unreleased live performances of "Tin Tin Deo," "The Champ," and "Groovin' High," especially when the sound quality is decent (by 1956 standards) and the band boasts such heavyweights as Phil Woods (alto sax), Benny Golson (tenor sax), Jimmy Powell (alto sax), Walter Davis, Jr. (piano), and the tour's musical director Quincy Jones (trumpet). Gillespie has many inspired moments on trumpet, and featured vocalist Austin Cromer provides some memorable crooning on "Because of You" and "Wonder Why".
In the summer of 1956, the famed Harlem congressman Adam Clayton Powell arranged for Dizzy Gillespie to embark on a worldwide goodwill-ambassador tour sponsored by the State Department. Gillespie and an all-star big band featuring trumpeter Quincy Jones, the late trombonist Melba Liston, alto saxophonist Phil Woods, and tenor saxophonist Benny Golson performed in Ecuador, Argentina, Uruguay, and Brazil to frenzied, beret-wearing fans. Recordings were made but they weren't commercially available and were played only for a select group of musicians before Gillespie's death in 1993. Now the sides have been released, showcasing Dizzy at his bebopping best.
Live at Newport finds trumpeter Christian Scott leading his ensemble through a performance at the JVC Jazz Festival in Newport, RI on August 9, 2008. Showcasing the same group that recorded Scott's critically lauded 2007 sophomore album, Anthem, Live at Newport does feature Scott branching out on some new material. Just coming into his own as jazz musician, Scott is nonetheless a talented and deft improviser and his knack for creating brooding, emotionally engaged music brings to mind a mix of '60s Miles Davis and the heady art rock of Radiohead.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
The jazz world was immersed in controversy in 1965 when the bands of John Coltrane and Archie Shepp appeared at the Newport Jazz Festival. Coltrane's own style was undergoing constant evolution, his lines more convoluted and explosive, his sound increasingly ranging to vocal cries and metallic abrasions. He had also become a figurehead of the "avant-garde" or "New Thing," an established star who provided a public forum for younger musicians and the creative ferment largely taking place out of public hearing.