Dizzy Gillespie brings together tenor saxophonists Sonny Stitt and Sonny Rollins for four extended cuts, and in the process comes up with one of the most exciting "jam session" records in the jazz catalog. While the rhythm section of pianist Ray Bryant, bassist Tommy Bryant, and drummer Charlie Persip provides solid rhythmic support, Stitt and Rollins get down to business trading fours and reeling off solo fireworks. Apparently, Gillespie had stoked the competitive fires before the session with phone calls and some gossip, the fallout of which becomes palpable as the album progresses.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
Features 24 bit remastering and comes with a mini-description. A rare 50s performance – featuring a smoking version of "The Afro Suite" – plus some more boppish numbers too! Dizzy Gillespie was recruited as a special guest to perform on March 13, 1955, in concert with the Orchestra (a Washington, D.C., big band), a date that was recorded by Bill Potts and not initially released until 1983 by Elektra Musician. Although there was only a brief rehearsal of Gillespie with the band prior to their performance of the trumpeter's "The Afro Suite" (which includes "Manteca" plus a trio of pieces written in collaboration with Chico O'Farrill), they provide excellent support for this extended work, which features the composer extensively.
The first DVD of Ralph Gleason's Jazz Casual TV series combines three separate 30-minute programs previously available individually as videos; obviously this is the better way to acquire them, both financially and from a preservation standpoint. Count Basie's appearance is a bit unusual. Gleason parks himself next to the piano following the opening number and remains there throughout the show, making Basie seem nervous and rather uncomfortable with his host during the interview excerpts and rarely, if ever, looking Gleason in the eye while talking to him.
Dizzy Gillespie was one of the most influent jazz trumpeters because he was the header, along with Charlie Parker and Thelonious Monk, of the bebop's verve, which large changed the genre around the forties. Therefore, some critics asks themselves what's the impact in universal music if the Dizzy Gillespie and Trio Mocotó's album had had released in that faraway year of 1974.Only a few months ago the Biscoito Fino Records released this phonographic pearl. In fact, Dizzy recorded this work through joining between the Verve Records and the Brazilian Philips, and took the master tape as soon as it was recorded, in eight hours of rehearsals, to go to stores in 1975…
Dizzy Gillespie's many collaborations with producer Norman Granz resulted in an impressive body of work that forms the basis for Verve Jazz Masters 10, a grab bag of bop, big band, and mainstream modern jazz recordings made between the years 1950 and 1963. The impressively packed roster of participants includes Roy Eldridge, Charlie Parker, and Sonny Stitt.
In a sensible and very effective maneuver, the collection opens with the famous "Manteca" performed by Gillespie's big band at the Newport Jazz Festival. This single seven-minute performance will tell you everything you need to know about Dizzy Gillespie. Every aspect of his musical persona appeared to the people during that exciting open-air Afro-Cuban jam.
It is hoped that exposure to this Roman candle version of "Manteca" and the rest of the excellent music on this CD will encourage listeners to pursue the rest of Gillespie's amazing recorded legacy.(AMG)
A 1980 date with trumpeter Dizzy Gillespie playing in an unusual trio setting with guitarist Toots Thielemans and drummer Bernard Purdie. Purdie, a consummate funk and R&B percussionist, makes the switch to mainstream material adequately, while Gillespie and Thielemans establish a quick, consistent rapport.
Dizzy Gilespie features two historic concerts from one of the founding fathers of bebop. Filmed 12 years apart, the 1958 concert features Dizzy working eloquently within the small combo structure of a quintet including with such influential musicians as sax player Sonny Stitt and bassist Ray Brown. The second show focuses on a completely different side of Dizzy, fronting the legendary Kenny Clarke-Francy Boland Big Band. With a 16-piece big band to conduct, including two drummers, his Latin influences are revealed on Con Alma and Manteca.
Two CD release featuring some of the greatest Jazz figures together on one stage! This double set contains three of the nearly 50 concerts played by the so called Giants of Jazz, a true all-star group organized by Jazz producer George Wein that toured Europe in 1971 and 1972. Alongside Thelonious Monk and Dizzy Gillespie, these sets feature musical contributions from Sonny Stitt, Kai Winding and Art Blakey. Disc One was recorded in Poland and Germany. Disc Two was recorded in Italy.