Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.
None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.
Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.
When Miles Davis released Live-Evil in 1970, fans were immediately either taken aback or keenly attracted to its raw abstraction. It was intense and meandering at the same time; it was angular, edgy, and full of sharp teeth and open spaces that were never resolved. Listening to the last two CDs of The Cellar Door Sessions 1970, Sony's massive six-disc box set that documents six of the ten dates Davis and his band recorded during their four-day engagement at the fabled club, is a revelation now. The reason: it explains much of Live-Evil's live material with John McLaughlin.
4 x CD in book/DVD-style tall packaging. Containing 3 rare and previously unreleased concerts from San Francisco 1970, England 1970 and Melbourne Australia 1988. These concerts highlight the genius that was Miles Davies and are also an important piece of jazz history. All discs have been digitally remastered for superior sound quality .The iconic artwork and in dept sleeve notes make this a must have release for all true jazz fans.
Commemorating its release in 1970 and profound impact on modern music, the 40th Anniversary Collector's Edition of Miles Davis' Bitches Brew are two CDs with the original 94-plus minutes of music plus six bonus tracks, and a third CD of a previously unissued performance at Tanglewood in August of 1970 featuring Keith Jarrett, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira, and Gary Bartz. If that isn't enough, there's a DVD of a previously unissued performance in Copenhagen in November of 1969, with Wayne Shorter, Corea, Holland, and DeJohnette.
Cookin' With the Miles Davis Quintet is the first of four classic albums that emerged from two marathon and fruitful sessions recorded in 1956 (the other three discs released in Cookin's wake were Workin', Relaxin' and Steamin'). All the albums were recorded live in the studio, as Davis sought to capture, with Rudy Van Gelder's expert engineering, the sense of a club show · la the Café Bohemia in New York, with his new quintet, featuring tenor saxophonist John Coltrane. In Miles's own words, he says he called this album Cookin' because "that's what we did-came in and cooked." What's particularly significant about this Davis album is his first recording of what became a classic tune for him: "My Funny Valentine." Hot playing is also reserved for the uptempo number "Tune Up," which revs with the zoom of both the leader and Trane.
Bag's Groove was recorded in 1954 for Prestige Records but was not released until 1957. Most of the album was recorded on June 29, 1954, but the title track was recorded at one session on December 24 of the same year. Several of the tracks on the album were written by Sonny Rollins and would go on to become jazz standards in their own right. Recorded June 29 & December 24, 1954 in Rudy Van Gelder Studio, Hackensack, NJ.
For over five decades, trumpeter/bandleader Miles Davis (1926-91) was a major innovator of cool, modal, avant-garde, and fusion jazz styles. This video captures Davis's last working band: alto saxophonist/flutist Kenny Garrett, drummer Ricky Wellman, percussionist John Bingham, keyboardist Kei Akagi, bassist Benjamin Rietveld, and lead bassist Foley McCreary, live at the 10th Annual Paris Jazz Festival on November 3, 1989.