On Every Street is the sixth and final studio album by British rock band Dire Straits, released on 10 September 1991 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The follow-up to the band's massively successful album Brothers in Arms, On Every Street reached the top of the UK albums chart and was also certified platinum by the RIAA…
On Every Street was released on 10 September 1991, over 6 years after the band's previous album, Brothers in Arms, and was Dire Straits' sixth and final studio album. It was released to mixed reviews and was not as popular or as successful as its predecessor, though it still sold more than 8 million copies worldwide (six million in Europe and one million in the United States). It reached number 12 in the United States and number one in the United Kingdom. The album was produced by Mark Knopfler and Dire Straits.
On the Night is the second live album by the British rock band Dire Straits, released on 10 May 1993 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The album features many of the band's later hits, including the singles "Walk of Life" and "Money for Nothing". On the Night was recorded in May 1992 at Les Arenes in Nîmes, France, and at Feijenoord Stadion in Rotterdam, The Netherlands—concerts that were part of the On Every Street Tour, which included 216 shows in Europe, North America, and Australia, and sold 7.1 million tickets.
On Every Street is an amazing album, if only for its apparent refusal to exploit the success of its predecessor. Sure, radio programmers could hear echoes of "Money for Nothing" in "Heavy Fuel," or traces of "Walk of Life" in "The Bug," but Mark Knopfler wouldn't have waited six years to follow up the band's megaplatinum Brothers in Arms if that was all he had in mind. Instead, he took time out to play with the Notting Hillbillies and Chet Atkins (while most British guitar heroes idolize American blues, Knopfler obviously has a thing for Nashville). On Every Street finds those influences complementing the late-night melancholy that's always been Dire Straits' specialty. Instead of Sting singing "I Want My MTV," fans got Hillbillies pedal steel player Paul Franklin adding to the high-lonesome sound of the quite infectious title track and the epic "Planet of New Orleans," along with meditations on the mistreatment of striking miners in the cinematic "Iron Fist," and some of Knopfler's most haunting guitar work throughout. The result can be seen as a dignified–and, at times, even inspiring–farewell album.Bill Forman