On the Night is the second live album by the British rock band Dire Straits, released on 10 May 1993 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The album features many of the band's later hits, including the singles "Walk of Life" and "Money for Nothing". On the Night was recorded in May 1992 at Les Arenes in Nîmes, France, and at Feijenoord Stadion in Rotterdam, The Netherlands—concerts that were part of the On Every Street Tour, which included 216 shows in Europe, North America, and Australia, and sold 7.1 million tickets.
The production value is very high. There is a nice opening sequence where the band and roadies arrive at the venue, and get ready to put on the show. The DVD uses this sequence to introduce the players, showing them getting off of busses, walking down corridors, and other mundane predatory actions. Knopfler walks out to a very enthusiastic crowd and after a few seconds of thunderous applause launches into the first song. I was very happy (as a guitar player myself) that many of his solos were shown in close-up detail. I like little things like that, seeing how he works to get that sound. I will not go over every song, but just be sure, there is not a single piece of filler here, although there would be a couple of songs that might be considered MIA. I could not imagine seeing B.B. King in concert without his performing "The Thrill is Gone", so seeing Dire Straits and not having them perform the break through "Sultans of Swing", the song that introduced them to the world is a bit strange. Oh well, you can't have everything. There is a good mix of rockers, softer more mellow songs and plenty of opportunity for Knopfler to let the other members of the band show off a bit. Overall, a great performance.
Artistically and commercially, the Stevie Nicks/Lindsey Buckingham/Mick Fleetwood/Christine and John McVie edition of Fleetwood Mac had been on a roll for over a decade when Tango in the Night was released in early 1987…
Originally released on Warners Brothers to scant acclaim in 1978, this Jerry Wexler-produced masterpiece finds James in astounding voice with a batch of great material to apply her massive interpretive powers to. The band, including the cream of the late-'70s Los Angeles session hot-shots (Cornell Dupree, Jeff Porcaro, Chuck Rainey, Plas Johnson, Jim Horn), lays it down soulful and simple and the result is a modern-day R&B classic. Highlights abound throughout, but special attention must be turned to James' takes on "Only Women Bleed" and the Eagles' "Take It to the Limit."