Cambodian composer Chinary Ung was an extreme disadvantage in terms of his musical background; the only Western instrument he was able to study in his native Cambodia was the E flat clarinet, which he learned well enough to enter the Manhattan School of Music in 1964. Since earning his doctorate in music composition at Columbia in 1974, Ung has largely made his career in the United States as a teacher and, partly owing to that, missed the genocide conducted in his home country, although most of his family was not so fortunate.
Unlike many books about the afterlife, Life after Death makes no appeal to religious faith, divine revelation, or sacred texts. Drawing on some of the most powerful theories and trends in physics, evolutionary biology, science, philosophy, and psychology, D Souza shows why the atheist critique of immortality is irrational and draws the striking conclusion that it is reasonable to believe in life after death. He concludes by showing how life after death can give depth and significance to this life, a path to happiness, and reason for hope.