Diapason 2015

Romain Leleu & Ensemble Convergences - Trumpet Concertos (2015) [Official Digital Download 24/96]

Romain Leleu & Ensemble Convergences - Trumpet Concertos (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 58:00 minutes | 1.01 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Awarded 'Instrumental Soloist Revelation of the Year' in 2009, by Victoires de la Musique Classique, Romain Leleu is an ambassador for the trumpet all over the world. His personality, generosity and talent enable him to make his instrument better known to a broad public, whether in traditional repertoire, transcriptions or the new commissions to which he gives rise.

Diapason - mai 2018  Magazines

Posted by Hawk2X at April 27, 2018
Diapason - mai 2018

Diapason - mai 2018
French | 164 pages | True PDF | 88.6 MB

Cocktailian 1 (2015) (German Edition)  eBooks & eLearning

Posted by AlexGolova at March 6, 2018
Cocktailian 1 (2015) (German Edition)

Cocktailian 1 (2015) (German Edition) by Marianne J. Strauss
German | 22 May 2017 | ASIN: B0711Y1HLD | 1637 Pages | AZW3 | 96.45 MB
Berliner Philharmoniker, Leonard Bernstein - Mahler: Symphony No. 9 (1980/2015) [Official Digital Download 24/192]

Berliner Philharmoniker, Leonard Bernstein - Mahler: Symphony No. 9 (1980/2015)
FLAC (tracks) 24-bit/192 kHz | Time - 82:07 minutes | 3.16 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Reissued for the Mahler Year 2010, this legendary recording - of the single occasion when Leonard Bernstein conducted (or was permitted to conduct) Herbert von Karajan's Berlin Philharmonic Orchestra.
Telephone - Paris '81 (Remasterisé en 2015) (2000/2015) [Official Digital Download 24/96]

Telephone - Paris '81 (Remasterisé en 2015) (2000/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 61:15 minutes | 1,31 GB
Studio Master, Official Digital Download | Artwork: Front cover

Paris '81 est le second album live du groupe de rock français Téléphone sorti en 2000. Il regroupe quatorze titres du groupe, tous enregistrés les 16, 17 et 18 février 1981, les trois derniers concerts de la tournée française soutenant l'album Au cœur de la nuit (1980), à l'Olympia de Paris, le palais des sports de la Porte de Versailles et le palais des sports de Saint-Ouen.
Barrence Whitfield & The Savages - Under The Savage Sky (2015) {Bloodshoot Records BS230}

Barrence Whitfield & The Savages - Under The Savage Sky (2015) {Bloodshoot Records BS230}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (jpg) -> 36 Mb | 5% repair rar
© 2015 Bloodshoot Records | BS230
Rock / Rock & Roll / Rhythm & Blues / Rockabilly / Soul

Since the mid-'80s, Barrence Whitfield has dedicated his life to reminding people that rock & roll and rhythm & blues are not separate but equal institutions, but healthy branches of the same tree; on-stage or in the studio, Whitfield howls vintage R&B tunes with the fury of a hot-wired rock band, and belts out vintage-style rock with a healthy portion of swagger and soul. In Whitfield's world, it's all loud and furious, and makes you want to dance, and really, who doesn't want some of that in their life? After a detour through other projects, Whitfield resurrected the Savages in 2011, and 2015's Under the Savage Sky, the group's third album since returning to duty, stands proudly alongside mid-'80s landmarks like Dig Yourself and Ow! Ow! Ow! as a master class in souped-up and full-bodied roadhouse rocking.
Dmitri Ensemble & Graham Ross - Shostakovich: Chamber Symphonies (Arr. by Rudolf Barshai) (2015) [24/96]

Dmitri Ensemble & Graham Ross - Shostakovich: Chamber Symphonies (Arr. by Rudolf Barshai) (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 64:17 minutes | 1.11 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The Dmitri Ensemble under Graham Ross performs Shostakovich's String Quartets Nos. 1, 8 and 10, re-worked as thrilling Chamber Symphonies for string orchestra by his pupil and advocate, Rudolf Barshai. Written in Dresden 1960, Shostakovich was sent there to compose a film score but was overwhelmed by the aftermath of WWII bombings which he saw; the result was the 8th quartet.
Diego Ares - Antonio Soler: Sol de mi fortuna (2015) [Official Digital Download 24/88]

Diego Ares - Antonio Soler: Sol de mi fortuna (2015)
FLAC (tracks) 24-bit/88.2 kHz | Time - 72:56 minutes | 1.40 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Who would have thought that the principal source for the music of Padre Antonio Soler was still waiting to be discovered? The manuscript acquired by the Morgan Library of New York in 2011 has proved to be the richest extant collection of sonatas by Soler; 29 of them are unpublished. For his first recording on harmonia mundi, the young harpsichordist Diego Ares reminds us of the powerful impression the composer made on a grandee of Spain in 1765: ‘Fray Antonio Soler produces finer sonatas from day to day.’ Listening to this disc, one cannot but agree: each sonata is indeed a world unto itself.
Astrarium Consort, Carlo Centemeri - Colonna: Triumphate Fideles (Complete Motets for Solo Voice and Instruments) (2015)

Astrarium Consort, Carlo Centemeri - Colonna: Triumphate Fideles (Complete Motets for Solo Voice and Instruments) (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 01:46:19 | 526 MB
Genre: Classical | Label: Brilliant Classics | Catalog: 94647

Giovanni Paolo Colonna (1637-1695) was a native of Bologna and the music director of one of its major churches, dedicated to San Petronio, where he presided over a rich culture of sacred music distinguished by participation from names now far better known to us such as Torelli, Bononcini and Giovanni Gabrieli.
Gustav Leonhardt - Antoine et Jean-Baptiste Forqueray: Pieces de Clavecin (2015)

Gustav Leonhardt - Antoine et Jean-Baptiste Forqueray: Pieces de Clavecin (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 62:33 | 440 MB
Genre: Classical | Label: Diapason | Catalog: No 67

Though participants in the "authentic performance practice" movement might insist otherwise, the search for the old is really a search for the new. This statement certainly captures the spirit that Dutch keyboardist Gustav Leonhardt brought to his early music performances in the 1950s. His style was characterized not by a rigorous observance of rules, but by the intuitive, almost spiritual connection it tried to establish with the music a kind of authenticity that sought validation not so much from a rigorously academic accuracy (though Leonhardt is by no means historically careless) as from its having an "authentic" effect on the listener.