Diamond 96khz

Neil Diamond - Brother Love's Travelling Salvation Show (1969/2016) [Official Digital Download 24bit/96kHz]

Neil Diamond - Brother Love's Travelling Salvation Show (1969/2016)
Pop/Rock, Soft Rock, Vocal | FLAC (tracks), 24bit/96kHz | 36:35 Min | 882,79 Mb (incl 5%) | Front Cover
Label: Geffen Records | Tracks: 12 | Released: 2016 (1969)

"Brother Love's Travelling Salvation Show" is the name of Neil Diamond's fourth studio album, released in 1969. Four months after the title cut became a #22 hit, Diamond recorded and released a new single, "Sweet Caroline", which reached #4. Because of its popularity, this song was added to the end of later pressings of the album, which was also given a new sleeve with the album shown as Sweet Caroline/Brother Love's Travelling Salvation Show although the title was still written as Brother Love's Travelling Salvation Show on the label.
Neil Diamond ‎- Stones (1971) UNI Records/93106 - US Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

Neil Diamond ‎- Stones
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: UNI Records/93106 | Release: 1971 | Genre: Country-Pop

Featuring "Stones", "I Am…I Said", "Crunchy Granola Suite", etc.
Neil Diamond, normally a quick worker, spent four months agonising over the lyrics of I Am… I Said, and it shows. That’s why the song lingers. There are lines which don’t quite ‘fit’ at first, and seem almost fragmentary coming from such a craftsman, but they’re the lines which – once the penny drops – give it its confessional greatness. People magazine hailed the song as "Art at its best, which moves the audience to self-investigation". Certainly it’s a masterpiece of introspection which transcends conventional pop limitations. Diamond himself rambled, "It tells of feeling lost and questions and doubts and insecurities… and realising that you can never go back home".
Neil Diamond ‎- Touching You, Touching Me (1971) UNI Records/93071 - US Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

Neil Diamond ‎- Touching You, Touching Me
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: UNI Records/93071 | Release: 1971 | Genre: Country-Pop

Featuring "Mr. Bojangles", "Holly Holy"
Diamond's first regular album release to sell in substantial numbers, Touching You, Touching Me contains the gold Top Ten single "Holly Holy,"
Pink Floyd ‎- Wish You Were Here (1975) Columbia/HC - US MasterSound Pressing - LP/FLAC In 24bit/96kHz

Pink Floyd ‎- Wish You Were Here
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Half-Speed Mastered Extended Range Recording
CBS Mastersound Audiophile Pressing
Label: Columbia/HC 33453 | Release: 1975 | This Issue: 1980 | Genre: Progressive-Rock

Essential: a masterpiece of progressive rock music.
The metal of the medal in a medley
Even though it (sort of) copied its layout AHM's successor did not top the charts, but instead it brought Floyd on the brink of greatness, just behind the bend. For some reasons, Meddle doesn't suffer of the same controversy than AHM did, which is rather strange, because it if has much higher and outstanding peaks, it is also much less even, because the lows on this album are simply awful. With that bizarre yet fascinating Hypgnosis artwork of mixing an ear and waterdrops on rippling the surface of calm waters, Meddle has not only a weird unnatural name, but the album was released in early 71 like its predecessor with the name and title on the cover, something that Crimson or Zep were also doing with success.
Neil Diamond ‎- Touching You, Touching Me (1971) UNI Records/93071 - US Pressing - LP/FLAC In 24bit/96kHz & 16bit/44kHz

Neil Diamond ‎- Touching You, Touching Me
Label: UNI Records/93071 | Release: 1971 | Genre: Country-Pop
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz

Featuring "Mr. Bojangles", "Holly Holy"
Diamond's first regular album release to sell in substantial numbers, Touching You, Touching Me contains the gold Top Ten single "Holly Holy,"
Neil Diamond ‎- Stones (1971) UNI Records/93106 - US Pressing - LP/FLAC In 24bit/96kHz & 16bit/44kHz

Neil Diamond ‎- Stones
Label: UNI Records/93106 | Release: 1971 | Genre: Country-Pop
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz

Featuring "Stones", "I Am…I Said", "Crunchy Granola Suite", etc.
Neil Diamond, normally a quick worker, spent four months agonising over the lyrics of I Am… I Said, and it shows. That’s why the song lingers. There are lines which don’t quite ‘fit’ at first, and seem almost fragmentary coming from such a craftsman, but they’re the lines which – once the penny drops – give it its confessional greatness. People magazine hailed the song as "Art at its best, which moves the audience to self-investigation". Certainly it’s a masterpiece of introspection which transcends conventional pop limitations. Diamond himself rambled, "It tells of feeling lost and questions and doubts and insecurities… and realising that you can never go back home".
Neil Diamond - Jonathan Livingston Seagull (CBS S 69047) (UK 1973) (Vinyl 24-96 & 16-44.1)

Neil Diamond - Jonathan Livingston Seagull
FLAC | Artwork | 24Bit 96kHz: 850 MB | 16Bit 44.1kHz: 304 MB
Cat#: CBS S 69047 | Country/Year: UK 1973
Genre: Soundtrack, Pop | Hoster: FS + HF/FF/Oron

In 1973 Neil Diamond recorded the soundtrack to the film Jonathan Livingston Seagull on Columbia Records. The album grossed more than the film itself. It was his first album after his successful 1972 release Hot August Night.
Dave Loggins – Apprentice (In A Musical Workshop) (1974) Epic/KE 32833 – US Pressing - LP/FLAC In 24bit/96kHz

Dave Loggins – Apprentice (In A Musical Workshop)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Epic/KE 32833 | Released: 1974 | This Issue: 197? | Genre: Country-Pop

Appearing the timeless “Please Come To Boston”
Kenny Loggins’ second cousin hit the big time for a couple of months in 1975 with “Please Come to Boston,” a serviceable and sentimental soft rock gem from his second album, Apprentice (In a Musical Workshop).
The Grateful Dead – Aoxomoxoa (1969) Warner Bros. – Seven Arts Records/WS 1790 – US Pressing - LP/FLAC In 24bit/96kHz

The Grateful Dead – Aoxomoxoa
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Warner Bros. – Seven Arts Records/WS 1790 | Released: 1969 | This Issue: 1979 | Genre: Psychedelic-Folk

Aoxomoxoa is the work of the magical band. Can you hear this music and not see them before your eyes? The music is so much the reality of their physical and spiritual bodies that seeing them is the wonder of seeing music.
Black Sabbath – Paranoid (1970) Vertigo (Swirl)/6360 011 – Original DE Pressing - LP/FLAC In 24bit/96kHz

Black Sabbath – Paranoid
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Pressed, Lacquer Cut At Deutsche Grammophon Gesellschaft Pressing Plant
Label: Label: Vertigo/6360 011 | Released: 1970 | Genre: Hard-Rock

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).