Recorded live at Paris’ Châtelet Theatre in Autumn 2014, this is a magical stage adaptation of Jacques Demy’s iconic 1964 film Les Parapluies de Cherbourg (The Umbrellas of Cherbourg). Michel Legrand conducts a 75-piece symphony orchestra in his own hauntingly lyrical score, while the pivotal role of Madame Emery is taken by soprano Natalie Dessay, renewing the collaboration she established with Legrand on the 2013 Erato album Entre elle et lui.
Two icons of French song – Natalie Dessay and Michel Legrand – follow the huge worldwide success of their album Entre Elle et Lui with a DVD of the very special concert on the 11th June 2014 at the Orangerie of the Château de Versailles. This is a unique collaboration from two giants of French music. The CD release in 2013 was hotly anticipated and received great critical acclaim upon its release. Natalie Dessay brings her lyrical voice and fresh interpretations to a selection of some of Michel Legrand’s best-loved songs including La Valse des Lilas, Les moulins de mon cœur (Windmills of Your Mind), Duo de Guy et Geneviève, Papa Can You Hear Me and many more.
Autumn 2013 marks Legrand's great return to the music scene: two concerts with Natalie Dessay at The Olympia in Paris (October 28th and 29th) followed by a tour through France and Europe, and also his first memoirs, Rien n'est grave dans les aigus, to be published by the Cherche-Midi Editeur. To tie in with these events, Universal Classics & Jazz France has undertaken the most ambitious, abundantly prolific and extravagant record-project ever devoted to Michel Legrand: a 15CD boxed-set which brings together every face and aspect of every domain on the Legrand continent; in other words, songs, jazz, original film-soundtracks, symphonic works, musicals…
Erstwhile 10,000 Maniacs frontwoman Natalie Merchant continues her highly successful solo career with LIVE IN CONCERT, a show that was recorded at New York's Neil Simon Theater. The set opens, somewhat appropriately, with one of the songs that got Merchant's solo career off to a blazing start, "Wonder." As she usually does in live performance, Merchant plays with the lyrical phrasing of the song to add unexpected melisma and daring tonal gambits. Merchant lends the dark and ephemeral "San Andreas Fault" a lightly sultry quality not found on the studio version. Other familiar favorites include "Beloved Wife," "Carnival," and "Ophelia." Merchant revisits the Maniacs' catalog only once, for a rousing take on "Gun Shy." Two unexpected covers spice the middle of the set: a haunting and powerful reading of David Bowie's "Space Oddity," and a beautiful take on Neil Young's "After the Gold Rush".