101 is a live album and documentary by Depeche Mode released in 1989 chronicling the final leg of the band's Music for the Masses Tour and the final show at the Pasadena Rose Bowl. Group member Alan Wilder is credited with coming up with the name; the performance was the 101st and final performance of the tour (and coincidentally also a famous highway in the area).
Music for the Masses is the sixth studio album by Depeche Mode. It was released by Mute Records on 28 September 1987. The album became the band's highest-charting in the US upon its release, reaching #35 on the Billboard 200. It also contained more hit singles than any of their previous releases. While there was no extremely popular single from the album ("People Are People" from Some Great Reward reached #13 on the Billboard Hot 100), the three singles that were released all made it onto the Hot 100, a feat that hadn't been achieved by any Depeche Mode single after those from Some Great Reward. Moreover, all three singles achieved modest success on the chart.
There was a time when you could walk into your average record store and find the singles section by spotting the big block of black rows. These rows signaled the whereabouts of the Ds and tended to eat up a disproportionate space of the singles section. In 2004, the Mute label condensed all of these releases into Remixes 81-04, which itself was ironically (or fittingly) presented in multiple versions. This particular version is a triple-disc set that attempts to function as a representative sampling of Depeche Mode's innumerable remixes.
SONGS OF FAITH AND DEVOTION - LIVE features songs from the studio version in the same sequence.
SONGS OF FAITH AND DEVOTION finds the band reinventing itself somewhat via lyirics that largely abandon the bleakness of the band's previous forays in favor of cautious optimism and spiritual questions.
Depeche Mode's tenth album, SONGS OF FAITH AND DEVOTION, finds the band reinventing itself somewhat. Not that it'd been exactly treading water, but its last several albums had explored and refined a particular aesthetic of dark lyrical themes and minor-key synthesizer atmospherics.
Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electropop band of the 1980s. One of the first acts to establish a musical identity based completely around the use of synthesizers, they began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound that ultimately positioned them as one of the most successful alternative bands of their era…
Songs of Faith and Devotion is the eighth album by Depeche Mode, released in 1993. The album incorporated more guitar textures than previous releases. Upon its release, Songs of Faith and Devotion reached number one on both the UK and US album charts. To support the album, Depeche Mode embarked on the fourteen-month Devotional Tour.
The Singles 86>98 is a singles compilation album released in 1998 by Depeche Mode. It was released as a follow-up to the band's previous compilation, The Singles 81→85, which was also re-released in the same year. The compilation covers the band's 7-inch single releases spanning five studio albums (from 1986's Black Celebration to 1997's Ultra), as well as including the band's 1998 stand-alone single "Only When I Lose Myself". Also included is "Little 15" (from Music for the Masses, released as a single in Europe), and the live version of "Everything Counts" (from the live album 101) which was released as a single in 1989. All tracks on The Singles 86>98 were newly remastered, as was the case with the re-release of The Singles 81→85.