Denise King is a very passionate singer who has a way of pulling her audiences into her performances. Listening to her warm tone, impeccable phrasing, and the absolute control she has of her voice is mesmerizing. Whether she's singing a Billie Holiday, Ella Fitzgerald or Sarah Vaughan standard, or a Gladys Knight or Aretha Franklin cover, she puts her heart and soul into every note. Denise has mastered the art of making a song her own no matter what the genre.
The Best of Nat King Cole is part of EMI-Capitol Special Markets' Ten Best Series, where they selected ten hits from a popular artist on their roster. For the budget-minded, it's a nice collection of Nat King Cole's best-known hits, like "Unforgettable," "Ramblin' Rose," "Mona Lisa," "Walkin' My Baby Back Home" and "(I Love You) For Sentimental Reasons." It certainly won't please either jazz purists or Cole collectors, but the budget-conscious looking for an affordable (albeit skimpy) sampler of well-known Cole should turn here.
Easily the longest of any Capitol single-disc compilation, 2005's The World of Nat King Cole also benefits from a fresh remastering of its material to make it the best introduction to the interpretive brilliance of Nat King Cole. Nearly all the hits that need to be here are indeed present: "Straighten Up and Fly Right," "Route 66," "Nature Boy," "Too Young," and "Mona Lisa." The compilers also wisely chose a few representative songs to replace some of the middling hits; the only surprise is the absence of "The Christmas Song" and "Lush Life," although the chart hits – "Answer Me, My Love," "Pretend," "Looking Back"…
Favorite Ballads is an entertaining collection of lush, romantic ballads Nat King Cole recorded for Capitol Records. It's not designed to be a comprehensive compilation for collectors. Instead, it's a nice sampler. Latter-day fans may be dismayed that "Unforgettable" is missing, but such songs as "The Very Thought of You," "Just One of Those Things," "Stardust," "These Foolish Things," "Tenderly," "I Should Care," and "You're My Thrill" make this a very pleasant listen.
This gig appears to be a testimony to the recuperative powers of John Wetton’s constitution. Having been out partying in the company of David Enthoven and Richard Palmer-James the night before in Munich, he still manages an impressive performance on Doctor Diamond and indeed throughout the rest of the gig. Though the good Doctor would forever elude them in the studio it seems that the band really beginning to find the soul of this song in concert. Fracture has a risky quality tonight; Bruford is in an adventurous mood whilst David’s tron is a touch out of tune.