Reissue with SHM-CD format and the latest 24bit remastering. Comes with a mini-description. An overlooked chapter in American bossa jazz of the 60s – recordings that weren't nearly as well-circulated as the Stan Getz bossa nova albums on Verve, but which have an equally special sort of sparkle! The arrangements here are by Manny Albam and Al Cohn – who both bring an earlier sense of large jazz charts into play with the tighter rhythms of the bossa – at a level that makes things explode nicely with a sense of color, while still keeping the groove light overall!
Reissue with SHM-CD format and the latest 24bit remastering. Comes with a mini-description. A great chapter in 60s bossa jazz – Zoot Sims "answer" to Stan Getz's bossa work on Verve – recorded in a similar jazz-meets-bossa style, with some great guitar work by Jim Hall! Zoot's solos are a bit tighter and not as laidback as Stan's – giving a more jazz-based sound to the work that makes for a nice change – and most of the tunes feature larger backings from Manny Albam and Al Cohn – never too over-arranged, but with enough of a full swinging sound to set things right. Hall's guitar works surprisingly well in the setting – and titles include "Barquinho De Papel", "Ciume", "Recado Bossa Nova (parts 1 & 2)", and "Cano Canoe".
24bit digitally remastered reissue. Comes housed in a cardboard sleeve. This release compiles two wonderful LPs presenting Zoot Sims playing bossa nova songs, as well as jazz standards in a bossa nova mood arranged by Manny Albam and Al Cohn: New Beat Bossa Nova (Colpix SCP435), and its sequel, New Beat Bossa Nova Vol. 2 (Colpix SCP437). Recorded in 1962, these were among the first albums to combine bossa nova and jazz. Both LPs feature the outstanding guitarist Jim Hall as a soloist.
Zoot and trumpeter Jon Eardley were in Paris in 1956 as part of the Gerry Mulligan Sextet which performed at the Olympia. They took time off to record on their own in the studios. Tracks 1-4 released on French 10 inch LP were actually a rehearsal with the Henri Renaud trio which was deemed good enough to release. The rest of this Jazz In Paris CD features a Live set by the Henri Renaud ensemble complete with vibes and guitar dwarfing the saxes, and a loud but not unruly audience.
The very complementary tenors Al Cohn and Zoot Sims (whose similar styles often made them sound almost identical) teamed up many times through the years; this reissue brings back their first joint recording. Joined by either Dave McKenna or Hank Jones on piano, bassist Milt Hinton, drummer Osie Johnson, and (on some selections) the forgotten trumpeter Dick Sherman, Al and Zoot avoid obvious material ("Somebody Loves Me" and "East of the Sun" are the only standards) in favor of swinging "modern" originals by Cohn, Sherman, Osie Johnson, Ralph Burns, Manny Albam, Ernie Wilkins, and Milty Gold. Zoot contributed "Tenor for Two Please, Jack," his answer to the song "Dinner for One Please, James." [Some releases add four alternate takes to the original 12-song program, giving one a good example of the occasional Cohn-Sims musical partnership.]
Inter-Action is an album by saxophonists Sonny Stitt and Zoot Sims recorded in Chicago in 1965 and released on the Cadet label. The Sims-Stitt collaboration is of particular interest as are Sims's rare alto solos on his own date. Worth searching for. Just what you'd expect with this front-line pair. Nice session.