I'm very fond of Miles' '70s "electric" period, especially the dark, deep live albums he recorded during this time (namely Dark Magus and Agharta). This disc, which gives MD the big-band treatment, offers many pleasures of its own, although, for my money, neither Cugny nor anyone else (save maybe Bill Laswell) has ever reached the same primal place that Miles did during this time. Excellent album! This album is something special. Great atmosphere, 60 minutes of pure enjoying.
This Savoy CD is a duplicate of the original LP although it lacks the fine liner notes included on the Arista/Savoy 1978 LP. The four selections (which unfortunately total under 34 minutes) are excellent, particularly a fun version of Horace Silver's blues "Opus De Funk" in which vibraphonist Milt Jackson, flutist Frank Wess and pianist Hank Jones have a long tradeoff. The quintet (which also includes bassist Eddie Jones and drummer Kenny Clarke) swings nicely throughout the three blues and lone ballad ("You Leave Me Breathless"). This is not essential, but it is enjoyable music.
Olivier Benoit brings his EUROPA project to a close by setting a northerly course with his musicians that takes them to the capital of Norway. Oslo is an atypical city. Nestling in the heart of triumphant natural surroundings, it has constantly pursued its architectural and cultural transformation, somewhere in between ancient tradition and the incredibly modern. At the close of the last century, this city was already setting the tone for new artistic concepts. To accompany the capital of Norway in music and establish a subjective portrait of the city, first an immersion was necessary. Living to the rhythm of Oslo’s seasons constituted a vital source of inspiration that provided the composition with its starting point.
On esko we go on a musical journey across Europe to the extraordinary land of Bohemia (popularly known as esko, but officially means Czech), the homeland of two composers we have come to love so much. It doesn't seem to matter that we hardly know their country: the indescribable energy of the music, with its folk melodies and harmonies, revealing the essence of a nation steeped in a deep cultural history, takes us there instantly.
Guitarist Barthelemy has spent much of his career working with orchestras, both jazz and classical, and on this album he teams up again with the 13-piece Orchestre National De Jazz. Stylistically various, the programme here ranges from wild free-form to tightly arranged passages, sometimes in pastiche mood. This is exciting, exploratory Euro-jazz.
Gil Evans was his spiritual father, and when the pianist and composer Laurent Cugny took charge of the ONJ en 1994. He already had big-band experience: for more than ten years he’d been leading the Big Band Lumière. For Laurent Cugny, the ONJ would be an extension of that rewardind experience, and it was enhanced by great encounters.