Based in São Paulo, Metá Metá have played a key role in the city’s thriving experimental music scene, mixing samba and Afro-Brazilian candomblé with jazz and rock. Now they have added north African influences, inspired by visits to Morocco, in an album that constantly changes style and pace – often in the same song. Opener Três Amigos sets the mood, starting as an atmospheric piece with an Arabic edge and relaxed vocals by Juçara Marçal, before switching to a furious blitz of sound by saxophonist Thiago França and guitarist Kiko Dinucci, who played a key role in an extraordinary recent album from Elza Soares. Elsewhere, the songs vary from the cheerful and breezy Toque Certeiro (featuring scat vocals from Marçal that have the easy charm of Joyce Moreno) to passages that sound like an angry Brazilian post-punk thrash, influenced by their country’s political crisis.
As in the successful volumes 1-3 this is a very exciting recording, featuring the bassoon as you never heard before! The 54th release in the Vivaldi Edition features a selection of the finest works for bassoon ever composed, regardless of the instrument, this is a complete view of Vivaldi’s universe, performed by a true genius of baroque music. With each CD Azzolini proves himself to be an artist of endless immagination and virtuosity. With each new recording he surpasses the one before.