Davis Cup is the debut album by American pianist Walter Davis Jr. featuring performances recorded in 1959 and released on the Blue Note label. It would be his only effort for the label and one of the few recordings where he figured as the leader. The Allmusic review by Stephen Thomas Erlewine states "Walter Davis Jr.'s debut record as a leader for Blue Note is a terrific hard bop session, a driving collection of six original tunes that emphasize the strengths not only of the pianist himself, but also his supporting band.
Mostly Other People Do the Killing, the bad boys of jazz, don't quite turn in a straight ahead hard bop album with Mauch Chunk, but it's as close as they are likely to get. The new quartet has pianist Ron Stabinsky in place of longtime trumpeter Peter Evans—which seems to ground the group sound—and there's less obvious classic jazz deconstruction and quotation than normal. Saxophonist Jon Irabagon stays on alto for the entire session, something he has not done in awhile. The sort-of title tune "Mauch Chunk is Jim Thorpe" opens the program with a jaunty swing, and it stays in character…but Irabagon can't resist throwing in a quote from the standard "Misty" during his solo.
Mostly Other People Do the Killing have recreated one of the greatest and most important jazz albums of all time. By attempting to make an identical copy of the original recording, this album poses several interesting questions about music in the 21st century.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.
Reissue with the latest remastering. Comes with liner notes. Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You".
A remix album of the most influencial jazz legend Miles Davis' "Panthalassa" album (compiled by Bill Laswell) released in 1999. Panthalassa: The Remixes is the logical extension of the previous year's Panthalassa project, in which longtime aficionado Bill Laswell restructured several Miles Davis recordings in similar fashion to the original production techniques pioneered by Teo Macero on Miles albums In a Silent Way, On the Corner and Get Up with It. Here, several dance producers are brought into the fold, not just to rearrange the material but to remix it as well.
Reissue with the latest remastering. Comes with liner notes. Miles Davis at Carnegie Hall is a live album by American jazz musician Miles Davis, recorded on May 19, 1961, at Carnegie Hall and released by Columbia Records. Davis is captured with his transitional small combo featuring Hank Mobley, Wynton Kelly, Paul Chambers, and Jimmy Cobb, as well as with the Gil Evans Orchestra. It was one of only two concerts Davis and Evans performed together, and that alone makes the album necessary for collectors, but the music itself is terrific. Neither the small group nor large band performances offer any new revelations, but they both showcase a strong, powerful Davis, and the music is quite enjoyable.