This is an electrical and fantastic soundtrack of the wonderful fantasy movie of 1986, starring Jennifer Connoly and DAvid Bowie, Labyrinth. From start to finish it is electrical and rich in fantasty rock and some electronic instrumental music too. This album includes the beautiful song of loneliness and hope, Underground, the catchy and super Magic Dance, the fun and cheeky Chilly Down, the gentle As The Wall Falls Down and the romantic Within You. This album was proof that Bowie was still one of the greatest talents of the musical world by 1986, and had lost none of his ability to create beautiful and enchanting music.
Former Pink Floyd guitarist David Gilmour is not prolific. Rattle That Lock is only his fourth solo studio album (though it follows his late band's final album, The Endless River, by only ten months). Gilmour recorded some 35 songs for this set, some dating back 18 years. Trimming them to ten couldn't have been easy. Titled for John Milton's second book in Paradise Lost, Rattle That Lock is structured as an informal song cycle to reflect the sometimes random, sometimes weightier thought processes of a typical person in a single day…
With the exception of 1992's Born Again, saxophonist Tom Scott's output for GRP was consistently disappointing. Although obviously a talented player, Scott's willingness to play arrangements whose main goal was to gain radio airplay resulted in commercial and quickly dated music. Scott is heard with smaller groups throughout this 1988 effort, which include keyboardist Randy Kerber and guitarist Dean Parks, plus guest appearances by guitarists Eric Gale and Michael Landau; all this looks promising but is actually quite routine. None of the nine funky originals were infectious enough to catch on; Scott sounds fairly anonymous in spots, particularly when he utilizes a WX-7; and it is obvious that the music was made strictly for the money. At best, this is superior background music
A shamelessly contrived effort, Keep This Love Alive is, for the most part, yet another tremendous waste of Tom Scott's talents. There are a few enjoyable moments here, including guest Dianne Schurr's sensuous vocal on "Whenever You Dream of Me" and Scott's gritty jazz-funk blowing on "Mis Thang." But on the whole, this CD is a throwaway by both jazz and pop standards. R&B/pop singer Brenda Russell is anything but memorable on the bloodless adult-contemporary song "If You're Not the One for Me," and most of the instrumentals would sound boring and lackluster even in a dentist's office. Throwing creativity to the wind, Scott leaves no doubt that his only concern is commercial radio airplay. The saxman recorded more than his share of stinkers for GRP in the 1980s and '90s, and Keep This Love Alive is at the top of the list.