Daniel Emerson is acquited of the rape of classical pianist Gaily Morton, and part of the blame for the acquittal lies with the testimony of Daniel's friends Norman, Oscar, Toby, and Craig, who all helped Daniel rape Gaily. Still devastated by the rape and unable to deal with the acquittal, Gaily commits suicide by jumping off of the top of the court building as soon as the trial ends, much to the horror of her brother Albert, who is a scientist. Five years later, Daniel has made Norman, Oscar, Toby, and Craig partners in his business, which forces homeowners and their homes out of the way to make way for bigger developments. By this time, after five years of working with Gaily's body, Albert has turned Gaily into a cyborg that is programmed to get bloody revenge on Daniel, Norman, Oscar, Toby, and Craig.
On 2016's Goodbye to Language, veteran producer Daniel Lanois and frequent collaborator Rocco DeLuca team up for an album of shifting experimental soundscapes created with lapsteel guitars. The album is far closer to Lanois' pioneering ambient works with Brian Eno, Harold Budd, and Michael Brook from the 1980s than his subsequent, more rootsy singer/songwriter albums. As the album's title suggests, there are no lyrics here, and the feelings evoked by this music can't accurately be expressed by words anyway. As simple as the idea of an ambient steel guitar album sounds, there's a lot going on here, and it never feels like mere background music.
Sinister industrialist Francis Turner, played by John Saxon, creates a cyborg known as Paco Queruak (Daniel Greene) who has been programmed to terminate the leader of an ecological faction that stands in the way of the dystopian country in which the story is set. After failing in his mission to eliminate the ecologist, Paco flees to Arizona where he must face his opponents; and ultimately choose between his humanity and robotic natures.
This album shows without doubt how selfless he has been, pouring his musical spirit into the productions he's touched, rather than keeping to himself.