A rare find, Big Bad Voodoo Daddy's release Whatchu' Want for Christmas gives the listener a peek back @ one of todays original, 'classically fresh' and unique swing bands. This album is a mix of early recordings of their current hits, You and Me and the Bottle Makes Three Tonight (baby), Go Daddy-O, The Jungle Book favorite, I Wanna be Just Like You and, three Christmas tunes that promise to get you in a swingin' holiday mood. If there is one thing this album lacks it is the presence and "finishing touch" Josh Levy (piano, vocals) and Karl Hunter (alto, tenor & baritone saxophones, clarinet) provide in the band's current self titled release. Amidst all of the '90's swing' being thrown our way, Big Bad Voodoo Daddy offers an original yet classic swing sound that will leave you Jumpin' Jack… Go-Daddy-O!!
Cab Calloway was a legendary fireball of talent, whose infectious 'hi-de-hi's', 'ho-de-ho's', scattin' and jivin' became the spirited cry of people wanting to be happy. A truly larger than life figure in American pop culture, immortalized in cartoons and caricatures, Calloway also led one of the greatest bands of the Swing Era. 100 Years later the coolest Swing band around, Big Bad Voodoo Daddy, are celebrating the birthday of Calloway with this fantastic album. 11 tracks including 'Minnie The Moocher'…
Big Bad Voodoo Daddy is a contemporary swing band from southern California. Their notable singles include "Go Daddy-O", "You & Me & the Bottle Makes 3 Tonight (Baby)", and "Mr. Pinstripe Suit". The band played the Super Bowl XXXIII half-time show in 1999.
The band was originally formed in Ventura, California, in 1989 by leader Scotty Morris. The band was named Big Bad Voodoo Daddy after Scotty Morris met blues guitar legend Albert Collins at one of the latter's concerts. "He signed my poster 'To Scotty, the big bad voodoo daddy'," Morris explains. "I thought it was the coolest name I ever heard on one of the coolest musical nights I ever had. So when it came time to name this band, I didn't really have a choice. I felt like it was handed down to me." He and Kurt Sodergren are the two "original" members, with the rest of the band joining later. The band has concentrated on the swing of the 1940s and '50s, playing clubs and lounges in their early years.
Recorded Live at The Majestic Ventura Theatre, May 15th, 2003.
Pere Ubu's troubles with record companies are legendary within certain underground rock circles. In perhaps the most bizarre turn of events, the group's collected works of 1978-1982 – after being out of print for nearly a decade – were reissued by Geffen as a five-disc box set, Datapanik in the Year Zero. Named after the group's 1978 EP, the set is arranged chronologically and occasionally substitutes live versions for studio tracks, but that hardly matters – nearly every song the band recorded during the five-year time span is included.
Hank Mobley was a perfect artist for Blue Note in the 1960s. A distinctive but not dominant soloist, Mobley was also a very talented writer whose compositions avoided the predictable yet could often be quite melodic and soulful; his tricky originals consistently inspired the young all-stars in Blue Note's stable. For this CD, which is a straight reissue of a 1965 session, Mobley is joined by trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins (a typically remarkable Blue Note lineup) for the infectious title cut, three other lesser-known but superior originals, plus Wayne Shorter's "Venus Di Mildew." Recommended.