An Evening with Dave Grusin is essentially the soundtrack to the Blu-Ray DVD product, and an app for the iPad, both of which have loads more features. The composer, arranger, and pianist conducts the 75-piece Henry Mancini Orchestra in a live program of his own music – tunes written for cinema – as well as the works of composers Gershwin, Bernstein, and Mancini. The show was co-produced by Grusin's longstanding business associate and collaborator Larry Rosen and Phil Ramone.
Night-Lines is an album by American pianist Dave Grusin released in 1984, recorded for the GRP label. The album reached #4 on Billboard's Contemporary Jazz chart. The album's cover is from the November 1983 issue of Electronic Fun with Computers & Games.
Everyone has his favorites; many of my own heroes I associate with their particular specific applications of Gershwin music as a frame-work for jazz expressions. From the crisp execution of Andre Previn's piano trio version of THERE'S A BOAT DAT'S LEAVIN' SOON FOR NEW YORK to what must be some of the most soulful and satisfying arrangements of any music to date: the wonderful Gil Evans/Miles Davis collaboration of PORGY AND BESS, my life has been full of total respect for these practitioners of the art. This, I suppose, is what ultimately led to this record; the chance to indulge in some of my favorite music with some of my favorite musicians of the Nineties.
On this diverse and generally interesting CD, keyboardist/composer Dave Grusin performs a five-song suite from his soundtrack of The Milagro Beanfield War along with selections by Harvey Mason, his brother Don Grusin, Hugh Masekela, Marcus Miller and himself. Other than the suite (which has a string section), the music is mostly played by smaller groups, with Branford Marsalis on tenor and soprano a major asset on three songs and flugelhornist Hugh Masekela taking a solo on his own "Polina."
Dave Grusin has been a highly successful performer, producer, composer, record label executive, arranger, and bandleader. His piano playing ranges from mildly challenging to competent to routine, but he's primarily an accomplished film and television soundtrack composer. Grusin played with Terry Gibbs and Johnny Smith while studying at the University of Colorado. He was the assistant music director and pianist for Andy Williams from 1959 to 1966, and then started his television composing career. Grusin recorded with Benny Goodman in 1960 and recorded with a hard bop trio who included Milt Hinton and Don Lamond in the early '60s.