The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters' pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention. This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect.
Initially panned by both the public and the press, Serú girán gradually won the Argentine people and became a historic album and the beginning of Serú Girán, the Argentine Beatles!….
What did it mean for Guillaume Du Fay (ca. 1397-1474), chameleon-like expert in every musical genre of his day, to compose four settings of the Mass Ordinary toward the end of his life? Looking back from the vantage point of the next generation, when the polyphonic mass reigned supreme, it might be tempting to interpret these works as a self-conscious summa of Du Fay’s career – an achievement akin to Haydn’s London Symphonies or Beethoven’s late string quartets. On a purely musical level these comparisons are apt. Each mass stakes out unique musical terrain; they are often strikingly experimental; and the entire set is shimmeringly beautiful from beginning to end, revealing a composer at the height of his powers.
The first 30 seconds of Voodoo Funk Project's debut album will send listeners scurrying to the liner notes looking for the recording date: "Black Magic" is Blackbyrds-style funky soul-jazz, right down to the vintage synth whooshes that lazily ripple across the sound field and the introduction of an extremely 1970s-vintage clavinet part about two minutes in. The rest of the album maintains this retro vibe, unsurprising since the brain behind this U.K. foursome is producer and programmer Geoff Wilkinson, formerly half of acid jazz pioneers Us3.
Excellent addition to any prog rock music collection
This record has many excellent piano and floating mellotron parts. Organ, clavinet and mini moog are also at the rendez-vous.
"Cuts Like A Knife" is the third studio album by the Canadian rock artist Bryan Adams. Released on 18 January 1983 through A&M Records, the album became a huge commercial success in Canada and the United States whereas outside North America, the album did poorly. After the release of Reckless the album would chart on the British album chart and would later be certified Silver by the BPI. It was recorded at Little Mountain Sound, Vancouver, Canada. The album was a commercial success and sold over 2 million copies worldwide.
Cream is good at a number of things; unfortunately song-writing and recording are not among them. However, they are fantastic performers and excellent musicians. Their latest recording, Wheels of Fire, a two-record set inside a silver jacket, proves all this.
One record is subtitled "In the Studio." The set begins with a Jack Bruce original, "White Room," which is practically an exact duplication of "Tales of Brave Ulysses" from their Disraeli Gears album, including the exact same lines for guitar, bass and drums. The lyrics are not much to speak of and it's very difficult to imagine why they would want to do this again, unless of course, they had forgotten that they had done it before. The Sonny Bono-ish production job adds little.