Curtis Controller

The Controller (2008)  Video

Posted by fekmax at Dec. 25, 2014
The Controller (2008)

The Controller (2008)
BRRip 1080p | MP4 | AVC, 2039 Kbps | 1920x816 | English AAC, 93.8 Kbps | 2 channels | Runtime: 01:36:31 | 1.44 GB
BRRip 720p | MP4 | AVC, 996 Kbps | 1280x544 | English AAC, 93.8 Kbps | 2 channels | Runtime: 01:36:31 | 755 MB
Genre: Action | Adventure | Comedy

A billionaire's wife is abducted. Now, he is forced to play a game where getting his wife back is the prize…eight hours to win…only he's never played a game like this. He calls on the only people who can help: the Armchair Combat Professionals.
Emma Roberts - ELKIN Fall/Winter 2014 Lookbook by Curtis Buchanan (part 2)

Emma Roberts - ELKIN Fall/Winter 2014 (part 2)
7 jpg | up to 1544*2000 | 10.27 Mb
American actress and singer
Emma Roberts - ELKIN Fall/Winter 2014 Lookbook by Curtis Buchanan (part 1)

Emma Roberts - ELKIN Fall/Winter 2014 by Curtis Buchanan
12 jpg | up to 1600*2000 | 12.99 Mb
American actress and singer

Indians by Edward S. Curtis  Graphics

Posted by nrg at Nov. 11, 2011
Indians by Edward S. Curtis

Indians by Edward S. Curtis
334 jpg | up to 2322*3030 | 250.76 Mb
Photographer of Native American peoples
Il Complesso Barocco, Alan Curtis - Handel: Giove in Argo (2013)

Il Complesso Barocco, Alan Curtis - Handel: Giove in Argo (2013)
EAC | FLAC (image+.cue, log) | Covers Included | 02:34:15 | 934 MB
Genre: Classical, Opera | Label: Virgin Classics | Catalog: 7231162

Handel's Giove in Argo (Jupiter in Argos) is bottom-of-the-barrel stuff, a pastiche (or, in the parlance of the time, pasticcio) of numbers from earlier operas stitched together into a mythological-pastoral plot that is absurd even by the standards of Baroque opera. It is a notable sign of the success of the Baroque opera revival that this has appeared on a semi-major label, Virgin Classics. The pieces were all from operas that were fairly recent at the time, and it's possible that the work was intended as a kind of greatest-hits reprise, but London audiences did not bite; the opera was long thought to be lost, and it had its modern premiere only in 2006, with newly written recitatives.

Step by Step Primary Domain Controller PDC Linux (samba)  eBooks & eLearning

Posted by naag at May 3, 2017
Step by Step Primary Domain Controller PDC Linux (samba)

Step by Step Primary Domain Controller PDC Linux (samba)
2017 | English | ASIN: B0722P656R | 15 pages | PDF + EPUB (conv) | 0.3 Mb

LeMay: The Life and Wars of General Curtis LeMay [Audiobook] {Repost}  eBooks & eLearning

Posted by IrGens at April 15, 2017
LeMay: The Life and Wars of General Curtis LeMay [Audiobook] {Repost}

LeMay: The Life and Wars of General Curtis LeMay [Audiobook] by Warren Kozak
English | March 8, 2013 | ASIN: B00BR1F3B2, ISBN: 1597772712 | MP3@64 kbps | 13 hrs 50 mins | 380 MB
Narrator: Grainger Hines

LeMay: The Life and Wars of General Curtis LeMay  eBooks & eLearning

Posted by tarantoga at April 15, 2017
LeMay: The Life and Wars of General Curtis LeMay

Warren Kozak, "LeMay: The Life and Wars of General Curtis LeMay"
ISBN: 1596985690, 1596987693 | 2009 | EPUB | 434 pages | 433 KB

Conti - David (Alan Curtis) [2007]  Music

Posted by Vilboa at April 14, 2017
Conti - David (Alan Curtis) [2007]

Conti - David (Alan Curtis) [2007]
Classical | Virgin 9463788772 | TT: 76.03+79.05 | EAC (FLAC, cue, log) | Covers | 734 Mb

The Florentine Francesco Bartolomeo Conti (1682-1732) was the finest theorbo player in early 18th-century Europe, and spent almost his entire career at the Habsburg court in Vienna. He composed sacred and secular vocal works special enough to warrant the attention of both Bach and Handel. Conti's oratorio David, a setting of a dramatic libretto by Apostolo Zeno, was first performed at Vienna in March 1724. The cast of singers included the tenor Francesco Borosini, soon afterwards a principal cast member for Handel in Tamerlano and Rodelinda (Conti's writing for Borosini descends to a low G, hence the decision here to cast baritone Furio Zanasi as Saul). Alan Curtis speculates that Borosini might have shown Conti's score to Handel because Conti's use of the theorbo to portray David playing the harp to soothe the insanely jealous Saul is neatly reflected in Handel's use of solo harp in his oratorio Saul (1738). Conti's difficult obbligato theorbo part in David's 'Quanto mirabile' is entrusted to the safe hands of Jakob Lindberg; the vocal part is sung by Marijana Mijanovic´, whose tuning and phrasing are better here than in her Handel recordings. Furio Zanasi's top register is stretched a notch too much for comfort at times but this never gets in the way of a convincing performance. Simone Kermes is beautifully emotive as Micol, Birgit Christensen's sparkling soprano is impressive, and Sonia Prina sings with exemplary sense of proportion and melodic line.

Handel - Fernando (Alan Curtis) [2007]  Music

Posted by Vilboa at April 8, 2017
Handel - Fernando (Alan Curtis) [2007]

Handel - Fernando (Alan Curtis) [2007]
Classical | Virgin 0946 3 65483 2 | TT: 71.53+77.26 | EAC (FLAC, cue, log) | Covers | 678 Mb

Fernando is the abandoned first draft of Handel’s opera Sosarme (performed at the King’s Theatre in February 1732)… Curtis’s pacing and shaping of Handel’s music is consistently subtle, astutely rhetorical and firmly connected to the libretto text. Although it might be possible to explore firmer muscularity and create a more vivid sense of surprise in the quicker music, there is something to be said for Curtis’s shrewd reservation of such effects for when it is truly vital for the drama. For instance, Marianna Pizzolato’s powerful arias “Vado al campo” and “Cuor di madre e cuor di moglie” are potently delivered moments of severe agitated passion that are all the more effective for the sweeter elegance that pervades much of this lovely score. The sublime duet “Per le porte” is sung with poetic intimacy by Lawrence Zazzo and Veronica Cangemi. Zazzo sings his elegantly heroic aria “Alle sfere della gloria” with supple clarity. Max Emanuel Cencic is impressive as the reticent Sancio, unwilling to be used as a pawn in his ruthless grandfather Altomaro’s Machiavellian plans to tear the royal family apart. Antonio Abete gives an ideal account of the villain’s arias… Fernando is one of Curtis’s most consistent and pleasing Handel opera recordings. (David Vickers, Gramophone)