Cue Schumann

Maria Joao Pires - Verdes Anos 1976-1985: J.S. Bach, Beethoven, Chopin, Schumann, Mozart (2005) 5CD Box Set

Maria João Pires - Verdes Anos 1976-1985 (2005) 5CD Box Set
J.S. Bach, Beethoven, Chopin, Schumann, Mozart

EAC | FLAC | Image (Cue&Log) ~ 1.27 Gb (incl 5%) | Mp3 (CBR320) ~ 818 Mb (incl 5%) | Scans ~ 24 Mb
Genre: Classical | Label: Erato/Warner Classics | # 2564612482 | Time: 05:30:10

Maria João Pires “shapes and colours every phrase, and with immaculate taste, and she makes sure the phrases end as eloquently as they begin,” wrote Gramophone in 1974. “She conveys not just the details but the relevance of every note to the whole … Best of all, she communicates everything she has discovered about the music, and it is worth having.” This Portuguese pupil of Wilhelm Kempff, Pires was one of the artists who defined the Erato label in the 1970s and 1980s. This 5-CD box gathers together the recordings she made over the period from 1976 to 1985 and it reflects the consistent focus of her repertoire, with its special emphasis on Austro-German composers of the Classical and early-Romantic periods. Embracing solo works, piano duets and concertos, it contains works by Mozart, Schumann, Beethoven, but also by Bach and Chopin.
Maria João Pires, Claudio Abbado - Schumann: Piano Concerto, Piano Quintet (2000)

Maria João Pires, Claudio Abbado - Schumann: Piano Concerto, Piano Quintet (2000)
XLD Rip | FLAC (tracks+.cue, log) - 249 MB | MP3 (CBR 320 kbps) - 150 MB | Covers Included | 01:02:03
Genre: Classical | Label: Deutsche Grammophon | Catalog: 463179

Deutsche Grammophon has another excellent Schumann Concerto in its catalog, the Pollini/Abbado, with the Berlin Philharmonic, coupled with a good but not great Schoenberg Piano Concerto. Not surprisingly, Pollini is more muscular and evenly balanced in the Schumann, even if he is, as usual, a bit straitlaced. Pires is always the sensitive and probing artist, or so it seems. Here, she is alert from the opening descending chords to the expressive potential in every bar. She puts much more thinking and feeling in her interpretation than Pollini and most others I've heard.
Jenő Jandó, András Ligeti, Budapest Symphony Orchestra - Grieg & Schumann: Piano Concertos (1988) (Repost)

Jenő Jandó, András Ligeti, Budapest Symphony Orchestra - Grieg & Schumann: Piano Concertos (1988)
EAC | APE (tracks+.cue, log) | Covers Included | 57:40 | 204 MB
Genre: Classical | Label: Naxos | Catalog: 8.550118

ALthough not very famous, Jeno Jando is a marvelous pianist. He combines lyrical beaty with power and emotion. Both of these attributes are evident in this disc, which contains the piano concertos of Grieg and Schumann, both in the key of a-minor. In Grieg's concerto, Jando creates a perfect balance between Lisztian virtuosity and Grieg's own Norweigan nationalism. The Schumann concerto is my favorite piece on the album, and Schumann's raw emotion comes out perfectly in Jando's interpretation. A word should also be said for the wonderful orchestration of these pieces. This is a wonderful CD both to introduce these romantic piano concertos and to offer a wonderful interpretation of them.
Heinrich Schiff, Gerhard Oppitz - Schumann: Cello Concerto, Adagio & Allegro (1993) (Repost)

Heinrich Schiff, Gerhard Oppitz - Schumann: Cello Concerto, Adagio & Allegro (1993)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:00:03 | 253 MB
Genre: Classical | Label: Philips | Catalog: 422 414-2

Seemingly on an impulse, Robert Schumann wrote his Cello Concerto in A minor, Op. 129, during two weeks in 1850, heading towards the last years of lucidity and life. Schumann may never have heard it played as the concerto did not premiere until seven months after his death. On this disc we have the opportunity of hearing not only the Cello Concerto but three other pieces written for cello and piano, the Adagio and Allegro perhaps being the most well known..
Isabelle Faust, Alexander Melnikov - Brahms: Violin Sonatas, Opp. 100 & 108; Schumann: Three Romances, Op.94 (2015)

Johannes Brahms: Violin Sonatas, Opp. 100 & 108; Robert Schumann: Three Romances, Op.94 (2015)
Isabelle Faust, violin; Alexander Melnikov, piano

EAC | FLAC | Image (Cue&Log) ~ 335 Mb (incl 5%) | Scans included | Time: 01:17:49
Genre: Classical | Label: Harmonia Mundi | # HMC 902219

A 19th-century ‘trio sonata’. Isabelle Faust and Alexander Melnikov have already given us an acclaimed version Brahms’s First Violin Sonata, in 2007. They now complete the cycle with the other two sonatas of 1886 and 1888, and add a fascinating rarity dating from 35 years earlier: the ‘F-A-E’ Sonata, a collaborative effort by three composers in honour of the great violinist Joachim, who had to guess who had written which movement! He did so with ease, for the Scherzo is as eminently Brahmsian as the Intermezzo and Finale are Schumannesque. Alexander Melnikov will be contributing his take on a score his mother gave him that belonged to Sviatoslav Richter in September BBC Music Magazine.
Ira Maria Witoschynskyj - Clara Schumann And Her Family (1996, MDG "Scene" # 604 0729-2)

Ira Maria Witoschynskyj - Clara Schumann And Her Family
works by Clara & Robert Schumann, Johannes Brahms and Woldemar Bargiel
EAC+LOG+CUE | FLAC: 164 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Scene" # 604 0729-2 | Country/Year: Germany 1996
Genre: Classical | Style: Romantic

Imogen Cooper plays Brahms & Schumann (2013)  

Posted by peotuvave at Aug. 4, 2015
Imogen Cooper plays Brahms & Schumann (2013)

Imogen Cooper plays Brahms & Schumann (2013)
EAC Rip | Flac (Tracks + cue + log) | 217 MB | MP3 320Kbps CBR | 181 MB | 1 CD | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 10755

This is Volume 1 in Imogen Cooper’s new series on Chandos Records, dedicated to the complete works for piano by Robert Schumann. Recognised worldwide as a pianist of virtuosity and poetic poise, Imogen Cooper has established a reputation as one of the finest interpreters of the classical and romantic repertoire. She has dazzled audiences and orchestras throughout her distinguished career, bringing to the concert platform a unique musical understanding and lyrical quality.

Schumann - The Songs of Clara Schumann (2007)  

Posted by peotuvave at July 30, 2015
Schumann - The Songs of Clara Schumann (2007)

Schumann - The Songs of Clara Schumann (2007)
EAC Rip | Flac (Tracks + cue + log) | 210 MB | MP3 320Kbps CBR | 169 MB | 1 CD | Full Scans
Genre: Classical | Label: Hyperion | Catalog Number: 55275

Clara Schumann's presence in the history of European music has become firmly fixed in recent years: the many new biographies, editions, recordings and performances of her compositions testimony to her significance and influence. Her songs, not as well known as her works for piano, are among the treasures of her creative work and can take their place with the best of the German Lieder repertoire.
Eric Le Sage - Schumann Project - Complete Piano Solo Music (2013)

Eric Le Sage - Schumann Project - Complete Piano Solo Music (2013)
EAC Rip | Flac (Tracks + cue + log) | 2.56 GB | 13 CDs | Full Scans
Genre: Classical | Label: Alpha Productions | Catalog Number: 813

Winner of Prix de l'Académie Charles Cros, this set brings together Robert Schumann's complete works for solo piano. This great cycle benefited from having been recorded in the unique acoustics of La Chaux-de-Fonds, Switzerland, by the same recording engineer, Jean-Marc Laisné.
Faust, Queyras - Schumann: Violin Concerto, Piano Trio (2015)

Faust, Queyras - Schumann: Violin Concerto, Piano Trio (2015)
EAC Rip | Flac (Tracks + cue + log) | 267 MB | MP3 320Kbps CBR | 155 MB | 1 CD | Full Scans
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 902196

In the autumn of 1851 Schumann composed, in rapid succession, the two violin sonatas and, in the space of just seven days from 2 to 9 October, the Piano Trio no.3, Op.110. As always during his work, Schumann was oblivious to everything around him, neglected social obligations, and isolated himself – even from Clara. ‘Robert is working very assiduously on a trio for piano, violin, and cello,’ she confided to her diary, ‘but he won’t let me hear anything of it until he has quite finished it – all I know is that it’s in G minor.’