This album confirms the talent of a leading blues songwriter. Sometimes the Truth is a milestone in the career of this San Antonio, Texas, singer/guitarist. Part of this set was recorded in the New York studio of Neal's good friend Popa Chubby (who makes noted vocal appearances on three tracks and plays guitar on five), while the rest was cut in Europe with a little help from noted Frenchies Nico "Wayne" Toussaint and Fred Chapellier.
Five complete operas by Wolfgang Amadeus Mozart at budget price in one space-saving set, featuring a twenty-four-page booklet with biographies, detailed listings, and historic photos! Exciting live recordings taped 1949–1974. A stunning array of great artists in Mozart’s most beloved operatic works!
Arista dropped them but the Church soldiered on – Tim Powles fully joined in the songwriting process a number of times, while Peter Koppes guested on various cuts after his absence from Sometime Anywhere. Violinist Linda Neil also appeared along with other guests from that record, with Magician Among the Spirits being the attractive end result. If the band was still a touch fragmented, Magician shows them well on the road to becoming a fully tight unit once again, with a number of interesting diversions along the way. Sonically, things followed in the vein of Sometime to a large extent, trying out different approaches and backing, often exploring more spacious, sometimes very late-night, relaxed arrangements.
The style and the class of these two sacred monsters of music, is best expressed in these very special performances in an unusual but extremely involving duo! A great record!
The early 80's is now a quarter of a century ago! Whilst there have been many 80's compilations we feel now is a good time to release an `edgier', cooler tracklisting highlighting some of the artists and tracks that may not be as familiar, but still defined the times. Many of these tracks have only previously been available on vinyl. "Great mix of eighties music that goes that little bit deeper then the usual eighties collection. A mix of classic eighties and the obscure. I would strongly recommend this to anyone who wants to relive that eighties feeling".
On Raisinn' the Roof, the Tom Principato Band is joined by long-time DC-area favorite Tommy Lepson, who contributes his soulful Hammond B3 organ playing and vocals, as well as several other special guests. The new album showcases nine songs (including 6 originals) that demonstrate the breadth of Tom’s musical influences ranging from blues, jazz and rock, to funk, reggae and New Orleans sounds.The three covers include a jazzy workout of Jimmy Smith’s “8 Counts for Rita,” a cooking take on J.J. Cale’s “Lies,” and a new version of Louis Jordan’s “Fish Fry” that brings on the funk and Jamaican flavors to this R&B classic, a long-time staple of the band’s live shows.
This is as close to Latin purist Mongo as we have heard in recent years, an eight-piece salsa band – including several members of the 1997 Tito Puente ensemble, like trumpeter Ray Vega, altoist Bobby Porcelli and tenorman Mitch Frohman – playing a brace of Mongo classics and Latin jazz pieces live before a hushed crowd in Seattle's Jazz Alley. There are no pop covers, one electric instrument (a bass), lots of extended jazz solos (Porcelli and Frohman really burn on the pioneering Afro-Cuban classic "Manteca"), and an unusual (for Mongo) emphasis on the timbales on many tracks, which shoves the rhythms closer to the salsified Puente manner. However, tracks like "Juan Jose," "Home" and "Bonita" do have the smooth Mongo cha-cha and guajira grooves, and elsewhere, Mongo lifts himself out of the background often enough to deliver some stirring polyrhythmic conga salvos.