The war in Iraq is the backdrop as the Crosby, Stills, Nash and Young "Freedom of Speech Tour" crisscrosses North America. Echoes of Vietnam-era anti-war sentiment abound as the band connects with today's audiences.
One of the most hotly awaited second albums in history – right up there with those by the Beatles and the Band – Déjà Vu lived up to its expectations and rose to number one on the charts. Those achievements are all the more astonishing given the fact that the group barely held together through the estimated 800 hours it took to record Déjà Vu and scarcely functioned as a group for most of that time…
Canadian singer-songwriter John Vehadija has assembled a stellar cast for the project Light Freedom Revival, and their new album ‘Eterniverse Déjà Vu’ is released on March 7th, 2017. Accompanying him are Billy Sherwood (Drums, Bass, Guitar, Keyboards), Oliver Wakeman (Lead Keyboards), Eric Gillette (Lead Guitar) and Marisa Frantz (Harmony Vocals) as a like minded group of spiritual individuals who have joined together on this 13 track LP to lend their own skilled touches to help create a bigger sound in order to explore the concept of how consciousness and positive energy shape all our future destinies.
SEBASTIEN is a melodic power metal band with symphonic and progressive influences. The band was born on roots of another heavy metal group, NAVAR, with an ambition to catch the worldwide interest, in 2008. In November 2009 the band went to Grapow Studios (Slovakia) to record the album "Tears Of White Roses" which was produced by Roland Grapow (MASTERPLAN, ex-HELLOWEEN) himself! In November 2014 SEBASTIEN went to Grapow Studios again to finish the mix of the new album 'Dark Chambers Of Déjà Vu'. For the most part, it feels like a continuation of what they did on "Tears Of White Roses", using a very melodic brand of power metal with a strong use of keyboards, symphonic elements, and huge vocal melodies to serve as the foundation, while adding in various other elements throughout.
Based on the title, it's hard not to think that Déjà Vu Live finds Crosby, Stills, Nash & Young reaching back into their past, perhaps even performing their classic 1970 album in its entirety. That's not true, although there is an album that comes close to being performed in its entirety here, and that's Neil Young's 2006 political manifesto Living with War, a controversial record that Young supported by re-teaming with CSN for a tour — a tour that was documented in the Young-directed feature documentary Déjà Vu Live. Got that? It's a series of circumstances a bit too confusing for music that's so straightforward, as the Living with War tour was as direct as the album itself.
Reissue with SHM-CD format and new 24bit remastering. A very special album from Johnny Smith – one of the few to feature his sublime guitar sound amidst a larger string setting – which only seems to emphasize the moodier, darker tones of his instrument! The album's a lot like his My Dear Little Sweetheart set – and, like that one, it features help from conductor Irv Kostal, as well as violinist Gene Orloff – both artists with the right sort of subtle, understated approach to make sure that Johnny's six strings never get lost in the larger swirl! Most tunes are very slow-moving, which allows us to hear that Smith guitar magic in full relief – that special way that Johnny had of choosing just the right notes and colors, in just the right way.
Reissue with SHM-CD format and new 24bit remastering. One of the most obscure Johnny Smith albums for Roost – and one of the most striking, too! The album takes the sound of Johnny's guitar and backs it with some larger arrangements from Irwin Kostal – very mellow, and very string-laden – with a dreamy late nite quality that's even moodier than that of Johnny's small combo records. There's an eerie mood to the set that really grabs us, and which seems to deepen even more on repeated listenings (probably enhanced by the painting of a child on the cover – as you'd expect a lady from the "sweetheart" title!)
Brian Eno brings the first album in three and a half years. This Japanese edition features SHM-CD format, and includes four pieces of art prints and a 8-page booklet. Special packaging. Special Feature - a bonus track for Japan. The Ship marks Brian Eno's first ambient album since 2012's Lux. Work on the album began as a 3-D sound installation in Stockholm, but altered to stereo when Eno realized he could sing in a low C, The Ship's root note. The Ship contains two works, the 21-minute title track, and the three-part "Fickle Sun." The title piece, a reflection on the sinking of the Titanic, recalls a moment in his distant past: he released Gavin Bryars' Sinking of the Titanic on his Obscure Music label in 1975.
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. The title of this excellent CD reissue comes from the fact that the featured septet consists of two altos (Phil Woods and Gene Quill) and two trumpets (Donald Byrd and Kenny Dorham) in addition to a rhythm section (pianist Tommy Flanagan, bassist Doug Watkins, and drummer Philly Joe Jones). Of the pairings, Woods and Dorham were more distinctive in 1956, but both Quill and Byrd get in some good licks. The full group stretches out on four lengthy numbers: three Woods originals and the ballad "Suddenly It's Spring."