The war in Iraq is the backdrop as the Crosby, Stills, Nash and Young "Freedom of Speech Tour" crisscrosses North America. Echoes of Vietnam-era anti-war sentiment abound as the band connects with today's audiences.
One of the most hotly awaited second albums in history – right up there with those by the Beatles and the Band – Déjà Vu lived up to its expectations and rose to number one on the charts. Those achievements are all the more astonishing given the fact that the group barely held together through the estimated 800 hours it took to record Déjà Vu and scarcely functioned as a group for most of that time…
SEBASTIEN is a melodic power metal band with symphonic and progressive influences. The band was born on roots of another heavy metal group, NAVAR, with an ambition to catch the worldwide interest, in 2008. In November 2009 the band went to Grapow Studios (Slovakia) to record the album "Tears Of White Roses" which was produced by Roland Grapow (MASTERPLAN, ex-HELLOWEEN) himself! In November 2014 SEBASTIEN went to Grapow Studios again to finish the mix of the new album 'Dark Chambers Of Déjà Vu'. For the most part, it feels like a continuation of what they did on "Tears Of White Roses", using a very melodic brand of power metal with a strong use of keyboards, symphonic elements, and huge vocal melodies to serve as the foundation, while adding in various other elements throughout.
Based on the title, it's hard not to think that Déjà Vu Live finds Crosby, Stills, Nash & Young reaching back into their past, perhaps even performing their classic 1970 album in its entirety. That's not true, although there is an album that comes close to being performed in its entirety here, and that's Neil Young's 2006 political manifesto Living with War, a controversial record that Young supported by re-teaming with CSN for a tour — a tour that was documented in the Young-directed feature documentary Déjà Vu Live. Got that? It's a series of circumstances a bit too confusing for music that's so straightforward, as the Living with War tour was as direct as the album itself.
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. We love Jack Teagarden on Roulette Records – as the label's slightly broken-down, booze-drenched approach was perfect for the late life skills of the trombonist – and maybe a better setting for his talents than anywhere else! This fantastic set has Jack at all the height of those aging powers – playing trombone with a deftness that's way more than the trad modes in which he was schooled, and singing in this heartbreaking voice that's almost even more compelling – trying for blues, and full of pathos in its attempt to reach it – wonderfully human overall. The group features Don Ewell on piano, Don Goldie on trumpet, and Ronnie Greb on drums – and titles include "Big Noise From Winnetka", "When", "Stardust", "Honeysuckle Rose", and "South Rampart Street Parade".
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon".
Brian Eno brings the first album in three and a half years. This Japanese edition features SHM-CD format, and includes four pieces of art prints and a 8-page booklet. Special packaging. Special Feature - a bonus track for Japan. The Ship marks Brian Eno's first ambient album since 2012's Lux. Work on the album began as a 3-D sound installation in Stockholm, but altered to stereo when Eno realized he could sing in a low C, The Ship's root note. The Ship contains two works, the 21-minute title track, and the three-part "Fickle Sun." The title piece, a reflection on the sinking of the Titanic, recalls a moment in his distant past: he released Gavin Bryars' Sinking of the Titanic on his Obscure Music label in 1975.