Lynyrd Skynyrd's 2000 compilation All Time Greatest Hits suffers from the same ailments that plague many compilations of its time, but there is one problem in particular that hurts it: instead of offering all of the "all time greatest hits" on one disc, the compilers pulled their punches, overlooking a few big songs while occasionally substituting live or acoustic versions for the original studio versions. That means that this is a Skynyrd compilation without the famed original recording of "Free Bird" – a live version is here instead. It doesn't really matter that it's a good version, taken from 1976's One More from the Road, or that the live version actually charted in the Top 40; nor does it matter that "All I Can Do Is Write About It" is a good acoustic version originally released on the eponymous 1991 box set, because this is a collection made for a general audience. It should, therefore, have the versions that a general audience knows best. Apart from that, and the usual nitpicking over songs that should have been included ("Workin' for MCA," "Don't Ask Me No Questions," etc.), this remains a solid collection, containing most of the Skynyrd material that a casual follower could want.
In 2000, Britain's RCA Camden line mounted an extensive Harry Nilsson reissue campaign, remastering the original albums, offering bonus tracks, and combining the LPs into two-fers where possible. His first two records were issued as part of a double disc set, with the first disc devoted to the two original albums and the second containing his remixed, re-re-recorded consolidation of the two, Aerial Pandemonium Ballet, plus four unreleased tracks, all of high quality…
This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.
The Anthology of the Royal Concertgebouw Orchestra is a recorded history of six decades of performances by the Concertgebouw Orchestra, taken from broadcasts contained in the archives of Dutch Radio and Radio Netherlands World Service. RCO Live has chosen not only legendary performances under chief conductors of the RCO but also concerts led by countless guest conductors of both greater and lesser renown. The sixth volume of the anthology features broadcasts from the 1990s, and presents a fascinating and colorful portrait of the orchestra s artistic development under various conductors during that period.