This programme features concert music by composers who also wrote film scores for Hollywood. While this was just one string to the considerable bows of Gershwin and Copland, Bernard Herrmann and Franz Waxman are best known for their music for Hitchcock films (Vertigo, North by Northwest, Marnie and Psycho for Herrmann; and Rebecca and The Paradine Case for Waxman). Centre stage is Gershwin’s Song-book, arranged by the composer for solo piano in order to present the songs ‘as George Gershwin plays them himself’.
Essential: a masterpiece of rock music.
This self-titled release is one of – if not arguably the – most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash.
He's been part of two huge-selling international superstar rock groups, and recorded some very popular albums on his own and with David Crosby. Yet Graham Nash has never been thought of as a talent in his own right the way that, to varying degrees, either of his three bandmates in Crosby, Stills, Nash & Young have. This three-CD, 64-track box set can be seen as both a way of focusing the spotlight on Nash's work both within and outside of his famous bands, and also as a career retrospective of sorts, spanning as it does about 40 years of recordings. Like almost all such box sets, however, it won't be as balanced as everyone would like between his various career phases and contexts, or contain as much in the way of revelatory rarities as some would hope.
Crosby, Stills & Nash is the first album by Crosby, Stills & Nash, released in 1969 on the Atlantic Records label. It spawned two Top 40 hit singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at #28 the week of August 23, 1969, and at #21 the week of December 6, 1969, on the Billboard Hot 100 singles chart. The album itself peaked at #6 on the Billboard Top Pop Albums chart. It was certified four times platinum for sales of over 4,200,000. In 2003, Rolling Stone ranked Crosby, Stills & Nash number 259 on their list of the 500 greatest albums of all time.