Today, in France, they are at least three pianists to have this talent of jazz musician and composer for great formation: Jean-Pierre Como, Antoine Herve and Herve Sellin. If you liked “L'âme soeur” of the first and “Road Movie” of the second, then, inevitably, you will like this “Marciac New York Express”. The compositions remarkable, are inspired (the four movements are connected with masterliness), and never fall into the repetition. The musicians are given some to heart joy: Stephan Guillaume with the clarinet and sax soprano, Stéphane Chausson and Sylvain Beuf with the sax tenor, Claude Egéa with the trumpet, Gueorgui Kornazov with the trombone, Michael Felberbaum with the guitar, Stéphan Caracci with the vibraphone, and the rhythmic made up one of Bruno Rousselet (double bass) and Karl Jannuska (drums) is at this remarkable point.
After the quintet Toxic Parasites, and the eponymous CD released in 2013, saxophonist-clarinetist exchange instrumentation maintaining the same drummer. On the trio originally associated sax, organ and drums, arises by adding a guitar a formula strongly influenced by jazz history (Jimmy Smith, Brother Jack McDuff, Jimmy McGriff, but obviously as Larry Young). It is indeed in a context of effervescence, groove and cursiveness resulting feet and neurons in a desire for perpetual motion. Beaches on fast tempo, which cultivate the taste of vertigo in motion alternate with claimed melancholy moments, whether clarinets (Smooth Skin, Cape Cod) or alto sax, with an obviously tropism which causes the side of Ornette Coleman (Dreaming with Ornette, Silent March).