Launched ten years ago by the saxo player Pierre Bertrand and the trumpeteer Nicolas Folmer, the Paris Jazz Big Band is extremely famous on the French Jazz scene with many awards like the Victoires du Jazz and Django d’Or. It has been mostly recognized for its creative repertoire and the orchestra has performed with prestigious singers like Diana Krall; Johnny Griffin, Richard Galliano or Michel Legrand. The aim of this new repertoire « Source(s) » was to follow the tracks of culture an d music from Africa, South Mediterranea and Latin America.
After the success of their first album « A suivre », the PJBB members have now chosen the Mediterranean as a playground. In a festive and warm atmosphere, their music is sometimes full of energy, sometimes of sensuality. The big band is still conducted by trumpet player Nicolas Folmer and saxist Pierre Bertrand, who composed almost all the pieces, except for two that were composed by their guest, the accordion player Richard Galliano.
We have decided to choose PARIS, glorious & mysterious, as a starting point of our compositions. The omnipresence of rhythm in the sounds of the city made us want to base this record on original grooves of drums & percussions, and then to give free rein to our impressions and images of PARIS. We have thus rendered 24 hours of the life of an imaginary observer in PARIS into music.
Five years after recording the live album that earns the Grand Prix Charles Cros Award (([email protected] Duc des Lombard/Cristal Records), it was about time to document the evolution of this atypical band with this second album of the Blowing Trio, the sixth under my name.
Spinnin’ is my fifth album as a leader, the first within the jazz piano trio idiom. For this recording, I called a drummer with whom I played quite a bit during my past years in NY – currently with tenor Joe Lovano – the young Otis Brown III, and the bass player everybody digs (Dianne Reeves, Joshua Redman, Charles Lloyd…), Reuben Rogers. ~ Laurent Coq.
French reissue of the German progressive rock act's 1993 album (recorded in 1975). This album is the soundtrack of a little known movie released by Philippe Garrel in the seventies. As the movie itself, the music score delivered by A.R.T is very oniric and represents one of the most representative illustration of introspective and dreamy evocations in sound.Each composition is unique and develops its own atmosphere sometimes plaintive, sometimes sad and grave. Stylistically, "Le berceau de cristal" is dominated by pure electronics from the seventies, electric organs,guitar echoes…put together to create delicate and peaceful musical lines.This album can't be ignored. It stands as a monument in electronic space music and soundtrack.