From its highest mountains to its deepest oceans, our world has challenged explorers of every generation to reach further and seek what lies beyond the horizon. Century upon century, the lure of the unknown has taken humans to every corner of the globe and it has given us a view of Earth that our ancestors could barely imagine. Now, the drive to explore is leading us upward and outward - off our own planet and out into the solar system where a host of alien worlds offers us vast new terrains to uncover.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
22-year-old steps out of her famous parents’ shadow with debut album. She arrives with a last name beloved in the music world and dangerously treads in the same footsteps as her parents, who have 26 Grammy Awards combined. And yet Emily Estefan manages to make an impressive splash on her debut album. The 22-year-old daughter of pop superstar Gloria and Emilio Estefan’s Take Whatever You Want is a 14-song shimmering, jazz-influenced beauty she wrote, performed on and produced.
To celebrate the 50th anniversary of Small Faces' debut release, this 5 CD boxed set includes all recordings the band made for Decca, alongside rarities, alternative versions, previously unavailable recordings and a disc of BBC sessions. All audio has been remastered from the original analog sources under the supervision of drummer Kenney Jones. This lift off lid box also includes a 72-page booklet with a wealth of rare and previously unseen photos and memorabilia plus four post cards.
It is no exaggeration to call Little Walter the Jimi Hendrix of the electric harp: he redefined what the instrument was and what it could do, pushing the instrument so far into the future that his music still sounds modern decades after it was recorded. Little Walter wasn't the first musician to amplify the harmonica but he arguably was the first to make the harp sound electric, twisting twitching, vibrant runs out of his instrument; nearly stealing the show from Muddy Waters on his earliest Chess recordings; and so impressing Leonard Chess that he made Muddy keep Walter as his harpist even after Waters broke up his band. Chess also made Walter into his studio's house harpist and started to release Little Walter solo records with the instrumental "Juke" in 1952. "Juke" became a smash hit and turned Little Walter into a star, making him a steady presence on the '50s R&B charts.