From its highest mountains to its deepest oceans, our world has challenged explorers of every generation to reach further and seek what lies beyond the horizon. Century upon century, the lure of the unknown has taken humans to every corner of the globe and it has given us a view of Earth that our ancestors could barely imagine. Now, the drive to explore is leading us upward and outward - off our own planet and out into the solar system where a host of alien worlds offers us vast new terrains to uncover.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
To celebrate the 50th anniversary of Small Faces' debut release, this 5 CD boxed set includes all recordings the band made for Decca, alongside rarities, alternative versions, previously unavailable recordings and a disc of BBC sessions. All audio has been remastered from the original analog sources under the supervision of drummer Kenney Jones. This lift off lid box also includes a 72-page booklet with a wealth of rare and previously unseen photos and memorabilia plus four post cards.
Get this recording just for Louis Hayes' cooking hi-hat work on the opening cut "Raggedy Ann." Following the head, Morgan prowls around the confines of the groove, poking this way and that, then finally releasing into a straight-ahead swing feel after four taut choruses. "Lee-Sure Time" has a similar brooding quality, with stark trumpet and tenor harmonies that evoke the Jazz Messengers–no surprise, considering this is the first album Morgan made after a stint with Blakey that ran from 1958 to 1961.
Saxophonist Clifford Jordan contributes "Little Spain," a jazz waltz with a sunny disposition that gets propulsive treatment, particularly during pianist Barry Harris' solo. Morgan's 3/4-time contribution, "A Waltz For Fran," is decidedly moodier, with brushwork from Hayes coloring the trumpeter's melancholy throughout. With Elmo Hope's serpentine title track and the closer, Morgan's "Second's Best" both swinging hard in minor keys, TAKE TWELVE qualifies as vintage early-'60s hard bop.